本文選題：勞倫斯　切入點：戀愛中的女人　出處：《四川外語學(xué)院》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：戴維·赫伯特·勞倫斯是英國工業(yè)時代最杰出的小說家之一。在短暫的一生中，他創(chuàng)作了約五十部作品，涵蓋了各種文學(xué)體裁，如長短篇小說、劇本、詩歌、散文、旅行游記和大量書信。勞倫斯也是二十世紀(jì)英國乃至世界文學(xué)中最具獨創(chuàng)性，也是最具有爭議的作家之一。他大膽的性描寫以及重塑兩性關(guān)系和人與自然的關(guān)系的主張是他作品的最大特色，但也因此也遭到了強烈的詆毀和攻擊。 由于他在文學(xué)方面的天賦和偉大成就，勞倫斯一直受到世人的贊賞和推崇；然而，，很少有人發(fā)現(xiàn)他與繪畫本身有著密切的聯(lián)系。實際上，作為一名作家，勞倫斯同時也擁有著繪畫的天賦。他母親婚前當(dāng)過教員，在她的影響下，勞倫斯自小喜愛文藝。在青年時期，繪畫是他的主要愛好。后來，他在繪畫發(fā)面取得了偉大的成就。勞倫斯特別重視視覺效應(yīng)和字面想象，這些可以通過顏色和語象造型來實現(xiàn)。他認(rèn)為，繪畫和寫作有許多共通之處；而且，他把許多繪畫技巧運用到寫作上，使得小說寫作更具有視覺效應(yīng)。在印象主義畫家的影響下，勞倫斯特別重視對顏色,意象，語象造型的應(yīng)用。在創(chuàng)作《戀愛中的女人》時，勞倫斯運用了顏色、意象、造型、視覺押韻和影射等繪畫技巧，以增加小說的視覺效應(yīng)，有助于讀者深入理解他的文學(xué)創(chuàng)作主旨，彰顯作品的主題。 本文除前言和結(jié)論，一共有三個章節(jié)。第一章主要用來揭示小說中通過黑色和白色這兩個反差較大的顏色來凸顯視覺性效果。第二章主要討論小說中敘述的各種造型，如標(biāo)志性人物、場景和情節(jié)，這些造型更大程度上增加了小說的視覺效果，同時引導(dǎo)讀者去發(fā)掘作品更深層的主旨意義。第三章主要討論小說中的圖像化敘述，如視覺押韻和影射，進(jìn)一步更深層次地揭示了這類圖像化敘述所體現(xiàn)的視覺效應(yīng)。
[Abstract]:David Herbert Lawrence was one of the greatest novelists of the British industrial age. In his short life, he wrote about 50 works, covering a wide range of literary genres, such as long and short novels, plays, poems, prose, etc. Travel notes and a great deal of letters. Lawrence was also the most original in English and world literature in 20th century. He is also one of the most controversial writers. His bold depiction of sex and the idea of remolding the relationship between men and women and between man and nature are the greatest features of his works, but they have also been strongly denigrated and attacked. Lawrence has always been admired and admired by the world for his literary gifts and great achievements; however, few people find him closely related to painting itself. In fact, as a writer, Lawrence also had a gift for painting. His mother had been a teacher before marriage. Under her influence, Lawrence had loved literature and art since her childhood. In his youth, painting was his main hobby. Later, He made great achievements in painting facades. Lawrence attached great importance to visual effects and literal imagination, which could be achieved through color and visual modeling. He believed that painting and writing had a lot in common; and, He applied many painting techniques to his writing, which made novel writing more visual. Under the influence of impressionist painters, Lawrence attached great importance to the application of color, image and image modeling. Lawrence applied painting techniques such as color, image, modeling, visual rhyme and insinuation to increase the visual effect of the novel, and help readers to understand his literary theme deeply and highlight the theme of his works. In addition to the preface and conclusion, there are three chapters in this paper. The first chapter is mainly used to reveal the visual effect of the novel through black and white, which are two contrasting colors. The second chapter mainly discusses the various shapes described in the novel. Such as iconic characters, scenes and plots, which greatly increase the visual effects of the novel, while guiding readers to explore the deeper significance of the work. Chapter three mainly discusses the graphic narration in the novel. For example, visual rhyme and insinuation further reveal the visual effects of this kind of pictorial narration.
【學(xué)位授予單位】：四川外語學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I561.074

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