從程抱一的法語小說創(chuàng)作管窺法語獲得語作家的文化選擇
發(fā)布時間:2018-03-14 23:13
本文選題:程抱一 切入點:法語 出處:《上海外國語大學(xué)》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:在全球化與文化交流溝通日益頻繁的今天,獲得語寫作已然成為海外華人文學(xué)的一個極富潛力的分支,華人獲得語作家的這種“用外來語寫母國事”的創(chuàng)作實踐無疑促進了中華文化精神的傳播以及中國文學(xué)和世界文學(xué)的相互對話和交流,為中國文學(xué)、文化走向世界的道路披荊斬棘。其中,法國華人作家程抱一可以算做是用法語進行小說寫作的領(lǐng)軍與先驅(qū),本文就選擇了他用法語創(chuàng)作的小說,也是目前僅有兩部中國題材小說作品《天一言》、《此情可待》為主要研究對象,在對它們的文本分析中尋找切入口。論文分緒論、正文、結(jié)語三部分。緒論部分簡要闡述研究對象和研究現(xiàn)狀,提出本文的寫作目的和意義,并嘗試明確研究所屬的界定。正文將對程抱一文化選擇的幾大方面獨創(chuàng)性分別進行解析,,即(1)法語獲得語小說中題材、語言選擇之固定與未定,(2)人物、意象等設(shè)置對于其身份追尋的積極意義,(3)敘述手法的選取與兼容東西的創(chuàng)新,(4)小說的跨文化特征及作者文化傳達的主動意識等。在分析作者選擇的過程中,注重從事實材料挖掘深層的原因、文化內(nèi)涵,比較其與中國傳統(tǒng)漢語小說的異同以及創(chuàng)新之處,發(fā)現(xiàn)其深層文化價值。結(jié)語部分繼而由點到面,力求挖掘出程抱一的小說創(chuàng)作在法國華人作家群之中的群體標識意義,從文化選擇之中梳理法語獲得語華人作家群異國探尋的精神軌跡,以管窺法國華人作家的獲得語小說創(chuàng)作,以及他們在更深層意義上的文化選擇,他們的嘗試以及努力無疑是值得肯定的。由此平移到中國文學(xué)的對外傳播問題上,深入探究他們的小說創(chuàng)作實踐對于東西文化的進一步交流互通,以至更深層次上對于世界文學(xué)的多樣化發(fā)展的重要意義。
[Abstract]:Nowadays, with globalization and cultural communication increasingly frequent, acquisition of language writing has become a promising branch of overseas Chinese literature. This writing practice of "writing mother and state affairs in foreign languages" by Chinese language writers has undoubtedly promoted the spread of the Chinese cultural spirit and the mutual dialogue and exchange between Chinese literature and world literature, thus contributing to the development of Chinese literature. Among them, the French Chinese writer Cheng Bao-yi can be regarded as the leader and pioneer in the writing of novels in French, and this article chooses his novels in French. At present, there are only two novels of Chinese theme, "Tianyi Yan", "this situation can be waited for" as the main research object, in their text analysis to find the entry. The introduction part briefly describes the research object and current situation, puts forward the purpose and significance of this paper, and tries to define the meaning of the study. The text will analyze the originality of Cheng Baoyi's cultural choice. I. e. 1) French acquires the subject matter in the novel, the fixed and undecided choice of language, and the characters, (3) the selection of narrative techniques and the creation of the compatibility between the West and the West) the cross-cultural characteristics of the novel and the active consciousness of the author's cultural communication. In the process of analyzing the author's choice, the author's choice is analyzed. Pay attention to excavate the deep reason, culture connotation from the fact material, compare its similarities and differences with the Chinese traditional Chinese novel, and find its deep cultural value. Trying to excavate the group identity meaning of Cheng Bao-yi 's novel creation in the French Chinese writer group, combing the spirit track of the foreign country exploration of the Chinese writer group in French from the cultural choice. The attempts and efforts of French Chinese writers to find out about their novels and their cultural choices in a deeper sense are undoubtedly worthy of recognition, and thus to the issue of the dissemination of Chinese literature to the outside world. This paper probes into the significance of their novel creation practice to the further communication and mutual communication between East and West cultures and to the diversification and development of world literature at a deeper level.
【學(xué)位授予單位】:上海外國語大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:I565.074
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