本文選題：村上春樹　切入點：《1Q84》　出處：《華中師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：村上春樹(Haruki Murakami,1949—),日本著名小說家,歐美文學(xué)翻譯家,其小說在國內(nèi)外均負(fù)有盛名。他的文字刻畫了日本這個后工業(yè)社會里的世間百態(tài),細(xì)膩地描繪了處于高度發(fā)達(dá)的資本主義之中日本人的孤獨和迷惘。時至今日,村上春樹已成為日本當(dāng)代文學(xué)中不可或缺的一名小說家。 本文的緒論部分主要介紹了村上春樹的生平、創(chuàng)作概況、獲獎情況、《1Q84》的主要內(nèi)容和創(chuàng)作動機,描述并分析、總結(jié)了國內(nèi)外村上春樹整體研究現(xiàn)狀和《1Q84》研究現(xiàn)狀。筆者發(fā)現(xiàn),此前的研究只有少數(shù)文章涉及村上作品中的日本文學(xué)傳統(tǒng)因素,而對于村上的新作《1Q84》的研究目前還處于起步階段。因而本文以村上春樹最新的長篇小說《1Q84》為切入點,分析了這部小說中存在的日本文學(xué)傳統(tǒng)因素和后現(xiàn)代特征以及出現(xiàn)這兩種因素雜糅的原因,旨在挖掘出《1Q84》較之村上春樹以往作品的突破,該突破表現(xiàn)在題材的拓展、日本文學(xué)傳統(tǒng)因素的增多和村上的文學(xué)使命感增強三個方面,從這些突破可以看出村上春樹在創(chuàng)作理念和創(chuàng)作手法上的轉(zhuǎn)變。 第一章主要分析了《1Q84》中的日本文學(xué)的傳統(tǒng)因素,包括《1Q84》中的物哀美、日本家庭主題、性描寫和細(xì)膩的細(xì)節(jié)描寫這四個部分。村上春樹歷來被看作是后現(xiàn)代作家,國內(nèi)外對其人其作的分析也集中在后現(xiàn)代這一塊,但是村上春樹近年來在創(chuàng)作中越來越看重日本文學(xué)傳統(tǒng)因素,《1Q84》就體現(xiàn)了這一點,所以本文選取了《1Q84》中最能凸顯日本文學(xué)傳統(tǒng)因素的四個點來進(jìn)行分析,并由此看出村上春樹在創(chuàng)作上的轉(zhuǎn)變。 第二章主要分析《1Q84》中的后現(xiàn)代特征,包括自我分裂的小說人物、善與惡的“不確定性”、后現(xiàn)代的藝術(shù)技巧和介于精英文學(xué)與大眾文學(xué)之間這四個特征。《1Q84》延續(xù)了村上春樹以往的一些創(chuàng)作手法,它仍然具有大量的后現(xiàn)代元素,本文選取了最能體現(xiàn)出這部小說后現(xiàn)代特征的四個方面展開論述。 第三章分析了《1Q84》出現(xiàn)日本文學(xué)傳統(tǒng)因素與后現(xiàn)代特征雜糅的原因。一方面在于日本后工業(yè)社會對《1Q84》的影響,主要是指高度發(fā)達(dá)的資本主義和消費主義對日本人價值觀的影響以及對作家創(chuàng)作的影響。另一方面在于村上春樹的雙重寫作身份,作為一名游走在中西方文化之間的作家,村上春樹有著日本傳統(tǒng)文化的精神內(nèi)核,也吸取了西方文學(xué)的創(chuàng)作手法,這是造成《1Q84》出現(xiàn)雜糅的另一個原因。 結(jié)語概括全文,指出了《1Q84》較之村上春樹以往作品的突破從這些突破中可以看出村上春樹在創(chuàng)作理念和創(chuàng)作手法上的轉(zhuǎn)變。結(jié)語也指出了《1Q84》存在的局限與不足,例如村上在書中模糊了善與惡的界限,書中的細(xì)節(jié)描寫在某些地方過于繁復(fù),語言不夠簡練,等等。本文認(rèn)為,村上春樹創(chuàng)作《1Q84》的目的在于借用文學(xué)之力去抗衡惡勢力,拯救處于封閉世界的人們。
[Abstract]:Haruki Murakamiki Murakamito, a famous Japanese novelist and translator of European and American literature, is famous both at home and abroad. His writings portray the world in Japan, a post-industrial society. It depicts the solitude and confusion of the Japanese in the highly developed capitalism. To this day, Murakami has become an indispensable novelist in contemporary Japanese literature. The introduction of this paper mainly introduces Murakami's life, creation, award-winning situation, the main content and motivation of < 1Q84 >, describes and analyzes, summarizes the whole research situation of Murakami and < 1Q84 >. Only a small number of previous studies have dealt with the traditional factors of Japanese literature in Murakami's works, while the study of Murakami's new work < 1Q84 > is still in its infancy. Therefore, this paper starts with Murakami's latest novel < 1Q84 >. This paper analyzes the traditional and postmodern features of Japanese literature in this novel and the reasons for the mixture of these two factors. The purpose of this paper is to find out the breakthrough of < 1Q84 > compared with Murakami's previous works, which is manifested in the expansion of the subject matter. The increase of the traditional factors of Japanese literature and the strengthening of Murakami's sense of literary mission can be seen from these breakthroughs in the creative ideas and techniques of Murakami's transformation. The first chapter mainly analyzes the traditional factors of Japanese literature in < 1Q84 >, including such four parts as the sentimental beauty in < 1Q84 >, the theme of the Japanese family, the sexual description and the delicate detail description. Haruki Murakami has always been regarded as a postmodern writer. The analysis of his works at home and abroad is also concentrated on the post modernism, but Murakami has paid more and more attention to the traditional factors of Japanese literature in recent years, which is reflected in < 1Q84 >. So this paper selects the four points of < 1Q84 > which can highlight the traditional factors of Japanese literature to analyze, and from this we can see the transformation of Murakami's creation. The second chapter mainly analyzes the postmodern features of < 1Q84 >, including the self-divided characters. The "uncertainty" of good and evil, the post-modern artistic skills and the four characteristics between elite literature and popular literature. < 1Q84 > continues some of Murakami's previous creative techniques, and it still has a large number of post-modern elements. This article selects four aspects that best reflect the postmodern features of the novel. The third chapter analyzes the reasons why the traditional factors of Japanese literature and the features of postmodernism are mixed up in < 1Q84 >, on the one hand, the influence of Japanese post-industrial society on < 1Q84 >, It mainly refers to the influence of highly developed capitalism and consumerism on Japanese values and writers' creation. On the other hand, Murakami's dual writing identity, as a writer wandering between Chinese and Western cultures, Haruki Murakami has the spiritual core of Japanese traditional culture, and also absorbs the creative techniques of western literature, which is another reason for the hybridity of < 1Q84 >. The conclusion summarizes the full text, points out the breakthrough of < 1Q84 > compared with Murakami's previous works. From these breakthroughs, we can see the transformation of Murakami's creative ideas and techniques. The conclusion also points out the limitations and shortcomings of < 1Q84 >. For example, Murakami blurs the line between good and evil in his book, the details in the book are too complicated in some places, and the language is not concise enough, and so on. This paper argues that Murakami's purpose in creating < 1Q84 is to use the power of literature to counteract evil forces. Save the people in the closed world.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I313.074

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