本文選題：湯亭亭　切入點：《女勇士》　出處：《福建師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：《女勇士》是美國華裔女作家湯亭亭代表作之一,在其所有作品中讀者最多卻也最具爭議性。本文借用后現(xiàn)代主義的文學(xué)理論對其進行解讀,探討其中兩個典型的后現(xiàn)代主義特征,即互文性和元小說性。作為后現(xiàn)代主義理論的核心特征之一,互文性研究的是文本之間的關(guān)系�！杜率俊分械幕ノ男灾饕w現(xiàn)在其對傳統(tǒng)自傳的整體性戲仿以及對中國經(jīng)典的民間傳說、歷史故事等的挪用、改寫和拼貼。由于與歷史語境相結(jié)合,后現(xiàn)代主義文本特有的元小說性在《女勇士》中有了新的表現(xiàn)形式——“歷史編纂元小說”。作為后現(xiàn)代主義元小說發(fā)展的新階段,“歷史編纂元小說”在《女勇士》中主要是通過歷史敘事與元小說的自我指涉的融合以及其它獨特的敘事方式表現(xiàn)出來�！杜率俊返倪@些寫作手法打破了傳統(tǒng)自傳的寫作模式,挑戰(zhàn)了歷史敘事的真實性和權(quán)威性,使整部作品呈現(xiàn)出后現(xiàn)代主義小說的特色。
[Abstract]:Female Warrior is one of the representative works of Maxine Hong Kingston, a Chinese American female writer, who has the most readers but also the most controversial in all her works. This article uses the literary theory of postmodernism to interpret it. As one of the core features of postmodernism theory, two typical postmodernism characteristics, namely intertextuality and metafiction, are discussed. Intertextuality studies the relationship between texts. The intertextuality in the female Warrior is mainly reflected in its holistic parody of the traditional autobiography and the misappropriation of Chinese classical folklore and historical stories. Rewriting and collage. Combined with historical context, The metafiction characteristic of postmodernism text has a new form of expression in female Warrior. As a new stage of the development of postmodernism metafiction, "Historical compilation Metafiction" is in "Women Warrior". Mainly through the combination of historical narration and metafiction's self-referencing and other unique narrative methods, these writing techniques of "female Warriors" break the traditional autobiography writing mode. It challenges the authenticity and authoritativeness of historical narration, and makes the whole novel show the characteristics of postmodernism novel.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074

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相關(guān)期刊論文 前1條

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