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  本文關鍵詞： 三島由紀夫 文化沖突 生死觀 愛情觀 女性觀 矛盾性　出處：《遼寧師范大學》2012年碩士論文　論文類型：學位論文

【摘要】：三島由紀夫在對日本傳統(tǒng)文化和西方文化的兼收并蓄中形成自己的獨特性，他的作品經常出現(xiàn)一些二律背反的公式，例如，美與惡，愛與丑，優(yōu)雅與暴烈，青春與老朽，誠實與偽善，希望與破滅等等，讓人感受到三島無處不在的矛盾性。他常帶著一種逆反和冒險的精神來演繹這些相反相對的概念和思想，體現(xiàn)在作品中主人公的塑造中。從強烈的沖突中我們體悟三島本人的怪異美學觀，并從中分析出不種文化的影響和他所倡導的“文武兩道”，，以及他對天皇的矛盾態(tài)度，都影響著三島創(chuàng)作中和種種對立因素的形成。 本文分六個部分對三島作品中的矛盾性作出梳理和認識。第一部分作為論文的引言，針對學術界對三島由紀夫作品的研究還不夠多元化，研究的內容多集中在一個問題或主要作品上，研究的對象還很單一，研究的方法不夠全面的現(xiàn)象。突出自己論文的出發(fā)點以及創(chuàng)新之處，從而引出本文的切入點主要從文章的情節(jié)，人物，意象，藝術特色，東西方文化影響等深入分析，具體論述三島由紀夫的作品中處處體現(xiàn)的矛盾性。第二部分具體闡述三島在作品中所表現(xiàn)出的對生死的矛盾態(tài)度，即通過對男性肉體的贊美表達對生的崇拜，同時又渲染了充滿血腥的死，將悲壯的死與青春相連表達對死的執(zhí)著。進而分析造成他對生死對立態(tài)度的原因主要受不同的文化的影響。第三部分著重分析三島愛情觀，在他筆下呈現(xiàn)出來的有對唯美純潔的愛情的憧憬，更有畸形變態(tài)的愛情的細致描摹，并分析這種矛盾心理的生成主要是與戰(zhàn)后紛亂的社會相關，帶有一定的批判性。第四部分則從國內評論界關于三島“厭惡女性”評論有所偏頗找到切入點，并結合三島自身成長的經歷、日本傳統(tǒng)文化與西方觀念共同作用的原因，通過三島在作品中對女性形象的刻畫總結出他所對女性既厭惡又欣賞的矛盾態(tài)度。第五部分著重分析三島由紀夫作品中“大�！焙汀盎稹钡囊庀�，在此類既包孕生又象征死的意象中也體現(xiàn)了三島的矛盾性。最后一部分作為結論具體闡述了日本民族的矛盾性格和三島的“天皇觀”對三島自身和創(chuàng)作的影響，并肯定三島作品中的矛盾性所展現(xiàn)出來的奇特的沖突美，打破了傳統(tǒng)以和諧為美的藝術形態(tài)，這在文化上也是一種進步的表現(xiàn)。
[Abstract]:Miyashima formed his own uniqueness in his integration of Japanese traditional culture and Western culture, and his works often presented some formulas against the law, such as beauty and evil, love and ugliness, elegance and violence, youth and decay. Honesty and hypocrisy, hope and disillusionment, etc., make one feel the ambivalence of the three islands everywhere. He often deduces these opposite concepts and ideas with a spirit of rebellion and adventure. Embodied in the portrayal of the protagonist in his works. From the intense conflict, we understand the strange aesthetic view of the three islands, and analyze the influence of non-culture, the "two ways of culture" advocated by him, and his contradictory attitude towards the emperor. Are affecting the creation of the three islands and the formation of various opposing factors. This paper is divided into six parts to sort out and understand the contradictions in the works of the three islands. The first part, as an introduction to the thesis, is not diversified enough for the academic research on the works of Yukio Miyashima. The content of the research is mostly concentrated on one problem or main work, the object of study is very single, the research method is not enough comprehensive phenomenon. Thus, the breakthrough point of this paper is mainly from the analysis of the plot, characters, images, artistic characteristics, the influence of eastern and western cultures, etc. The second part concretely expounds the contradictory attitude to life and death that the three islands show in their works, that is, expressing the worship of life and death through the praise of the male body. At the same time, it also plays up the bloody death, connecting the tragic death with the youth to express the persistence of death. Then it analyzes the causes of his opposing attitude to life and death, which are mainly influenced by different cultures. The third part focuses on the analysis of the three islands' view of love. In his writings, there is a longing for beautiful and pure love, a detailed description of abnormal and abnormal love, and an analysis of the emergence of this kind of contradictory psychology, which is mainly related to the chaotic society after the war. With a certain degree of criticality. In part 4th, the author finds an entry point from the domestic critics' comments on the "female loathing" of the three islands, and combines the experiences of the three islands' own growth, the reasons why the Japanese traditional culture and the western ideas work together. Through the depiction of the female image in the works of Mijima, the author summarizes his contradictory attitude towards both disgust and appreciation of women. Part 5th focuses on the analysis of the images of "the sea" and "fire" in the works of Yukio Miyashima. The last part, as a conclusion, expounds the contradictory character of the Japanese nation and the influence of the emperor's view on the creation of the three islands. It also affirms the peculiar beauty of conflict in Miao's works, which breaks the traditional artistic form of harmony, which is also a kind of progressive expression in culture.
【學位授予單位】：遼寧師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I313.074

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本文編號：1514401