《詩經》是中國最早的一部詩歌總集,是現(xiàn)實主義文學的源頭,被稱為中華民族的文化元典,其對后世文學創(chuàng)作產生了深遠的影響。在當今中國文化“走出去”的時代背景下,《詩經》翻譯研究具有重要的現(xiàn)實意義。目前國內外《詩經》英譯研究多從文學、語言學或美學角度切入,從《詩經》中所承載的思辨形態(tài)和文化精神角度關注得甚少。故此,從思維模式角度對《詩經》英譯本進行批評研究,有助于彰顯中國傳統(tǒng)文化的本色,滿足西方社會對中國文化的需求。本文以中華文化所特有的認識形態(tài)和智慧樣式“象思維”為理論視角,以汪榕培先生的《詩經》英譯本為研究對象,從“象”的呈現(xiàn)、“象思維”的運用以及對原作精神的忠實這三個維度來分析和研究其譯本。作為華夏文明的精神創(chuàng)造,“象思維”是更具本原性和創(chuàng)造性的思維方式,指的是在思考過程中通過聯(lián)想、想象等方式把事物具象化、形象化,進而理解事物的一種思維。中華民族自古以來就運用“象思維”來認識宇宙萬物,中國的詩詞歌賦等文學作品也深受其影響。論文基于“象思維”的哲學認識樣式,評析汪榕培《詩經》英譯本在意象呈現(xiàn)和語言表征上與原文的契合程度。首先,對國內外的《詩經》英譯研究進行了概述,發(fā)現(xiàn)其大多是從文學或語言學...

【文章頁數(shù)】：99 頁

【學位級別】：碩士

【文章目錄】：
ACKNOWLEDGEMENTS
摘要
ABSTRACT
Chapter One INTRODUCTION
    1.1 Research Background
    1.2 Purpose and Significance
    1.3 Research Methodology
    1.4 Outline of the Thesis
Chapter Two LITERATURE REVIEW
    2.1 An Overview of Shijing and Its English Versions
        2.1.1 Shijing
        2.1.2 English versions of Shijing
    2.2 Previous Studies on the English Translation of Shijing
        2.2.1 Previous studies on the English translation of Shijing at home
        2.2.2 Previous studies on the English translation of Shijing abroad
    2.3 Summary
Chapter Three THEORETICAL FRAMEWORK
    3.1 An Introduction to“Xiang”and“Xiang Thinking”
        3.1.1 Connotations of“Xiang”and“Xiang thinking”
        3.1.2 Characteristics of“Xiang”and“Xiang thinking”
        3.1.3 Previous studies on“Xiang”and“Xiang thinking”
    3.2“Xiang Thinking”and the Translation of Chinese Classics
        3.2.1“Xiang thinking”and the language representation of Chinese classics
        3.2.2“Xiang thinking”and the translation of Chinese cultural spirit
    3.3 Comparison of“Xiang Thinking”and Conceptual Thinking
Chapter Four AN ANALYSIS OF WANG RONGPEI’S ENGLISH VERSION OF SHIJING FROM THE PERSPECTIVE OF“XIANG THINKING”
    4.1 Poetry Translation in the Light of“Xiang Thinking”
    4.2 Wang Rongpei’s English Version of Shijing and His Translation Theory
    4.3 An Analysis of Wang Rongpei’s English Version of Shijing from the Perspective of“Xiang Thinking”
        4.3.1 Xiang descriptions in Shijing
        4.3.2 Xiang descriptions of plants in Wang Rongpei’s English translation of Shijing
        4.3.3 Xiang descriptions of animals in Wang Rongpei’s English translation of Shijing
        4.3.4 Xiang descriptions of religions in Wang Rongpei’s English translation of Shijing
        4.3.5 Construction of artistic conception in Wang Rongpei’s English translation of Shijing
    4.4 Summary
Chapter Five CONCLUSION
    5.1 Major Findings
    5.2 Limitations of the Research
    5.3 Suggestions for Future Research
REFERENCES
APPENDIX Papers Published during the MA Program



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