《紅高粱家族》作為國內(nèi)首位諾貝爾文學(xué)獎獲得者莫言的代表作,描繪了抗日戰(zhàn)爭時期東北高密鄉(xiāng)人民的故事,大量的中國文化元素呈現(xiàn)其中。該小說英譯本也成為研究熱點,國外學(xué)者多注重研究譯作本身的文學(xué)和社會價值,國內(nèi)學(xué)者的研究范圍稍廣,包含翻譯策略和方法、翻譯理論、翻譯倫理、文化翻譯、譯者主體性及翻譯的社會學(xué)研究等諸多層面。但國內(nèi)外學(xué)者對其翻譯過程中的形象重塑研究較少,需進(jìn)一步豐富完善。本研究以比較文學(xué)形象學(xué)為理論框架,以小說《紅高粱家族》及葛浩文英譯本中的28對典型譯例（中英文對照）為語料,試圖回答以下三個研究問題:（1）《紅高粱家族》原文中塑造了哪些中國文化形象?（2）譯者如何通過翻譯重塑原文中的中國文化形象?（3）影響譯者重塑形象的因素有哪些?作者首先分析總結(jié)了《紅高粱家族》原文中的中國文化形象。然后運用形象學(xué)研究方法,即文本內(nèi)部分析和文本外部分析對所選譯例進(jìn)行剖釋。文本內(nèi)部分析包含詞匯、等級關(guān)系、情節(jié)三個層面,闡述了形象重塑過程中譯者使用的翻譯策略及方法。文本外部分析包括社會集體想象物和譯者主觀因素兩方面,探析了影響譯者重塑形象的社會文化因素。研究發(fā)現(xiàn):（1）莫言在《紅高粱家族》中刻畫了包含... 

【文章來源】：西安工程大學(xué)陜西省

【文章頁數(shù)】：77 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
abstract
Chapter One Introduction
    1.1 Research Background
    1.2 Purposes and Significance of the Research
        1.2.1 Purposes of the Research
        1.2.2 Significance of the Research
    1.3 Research Methodology
        1.3.1 Research Questions
        1.3.2 Research Subjects
        1.3.3 Research Methods
    1.4 Thesis Structure
Chapter Two Literature Review
    2.1 Previous Studies on the English Version of Red Sorghum
        2.1.1 A Brief Introduction to Hong Gao Liang Jia Zu and Goldblatt’s EnglishVersion—Red Sorghum
        2.1.2 Previous Studies on the English Version of Red Sorghum at Home
        2.1.3 Previous Studies on the English Version of Red Sorghum Abroad
    2.2 Previous Studies on Chinese Cultural Image and Literary Translation
    2.3 Previous Studies on the Application of Imagology to Translation Studies
        2.3.1 Introduction to Imagology of Comparative Literature
        2.3.2 The Application of Imagology to Translation Studies
    2.4 Summary
Chapter Three Theoretical Framework
    3.1 Central Concepts of Imagology
        3.1.1 Image
        3.1.2 The Other and the Self
        3.1.3 Imaginaire Social
    3.2 Methodology of Imagology
        3.2.1 Intrinsic Textual Analysis
        3.2.2 Extrinsic Textual Analysis
Chapter Four Reconstruction of Chinese Cultural Image in Red Sorghum under theGuidance of Imagology
    4.1 Chinese Cultural Image in Hong Gao Liang Jia Zu
        4.1.1 A Brief Introduction to Cultural Image
        4.1.2 Chinese Cultural Image in Hong Gao Liang Jia Zu
    4.2 Intrinsic Textual Analysis on the Reconstruction of Chinese Cultural Image in RedSorghum
        4.2.1 Lexicons
        4.2.2 Hierarchical Relations
        4.2.3 Plots
    4.3 Extrinsic Textual Analysis on China’s Cultural Image in the English Version ofRed Sorghum
        4.3.1 Analysis on the Relationship between Image and Imaginaire Social
        4.3.2 The Influence of the Translator
Chapter Five Conclusion
    5.1 Major Findings
    5.2 Implications and Suggestions
    5.3 Limitations
BIBLIOGRAPHY
作者攻讀學(xué)位期間發(fā)表論文清單
ACKNOWLEDGEMENTS



本文編號：3640983