Julian Barnes’ most celebrated Flaubert’s Parrot is generally hailed as an epitome of postmodernist fiction that brims with formal innovation. Barnes himself, however, argues that the novel starts with life. He claims that he never sees himself as an empty technician. This thesis explores some of the implications of Barnes’ self-characterization and examines the ways in which Barnes expresses his concern for life and reality in Flaubert’s Parrot. Bringing the notion of reality in the postmodern ... 

【文章來源】：蘇州大學(xué)江蘇省

【文章頁數(shù)】：51 頁

【學(xué)位級別】：碩士

【文章目錄】：
Acknowledgements
Abstract
Part Ⅰ Introduction
Part Ⅱ Chasing Flaubert
Part Ⅲ Making Sense of Life
Part Ⅳ Conclusion
Bibliography



本文編號：3103992