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俯仰即拾,觸手成春:公共空間中的撿拾物藝術

發(fā)布時間:2019-04-25 11:02
【摘要】:正撿拾物(Found Object)這個詞來源于法語objet trouve,用來描述使用日用品尤其是廢棄物的藝術創(chuàng)作。撿拾物與傳統(tǒng)意義上藝術媒材如青銅、大理石、木頭等不同,它不是正統(tǒng)的藝術媒介。畢加索是最早使用撿拾物的藝術家(Pablo Picasso),他在1912年將藤椅印刷圖像粘貼在他的油畫《有藤椅的靜物》(Still Life with Chair Caning)上。馬塞爾·杜尚(Marcel Duchamp)在幾年后創(chuàng)作的現(xiàn)成品藝術(Readymade)系列,被認為完善了撿拾物的概念,其制作
[Abstract]:The word "(Found Object)" is derived from French objet trouve, to describe artistic creation that uses daily necessities, especially waste. Pick-up and traditional art media such as bronze, marble, wood and so on, it is not an orthodox art medium. Picasso was the original pick-up artist (Pablo Picasso), who in 1912 pasted a printed image of the rattan chair onto his oil painting "still Life with the Rattan chair." (Still Life with Chair Caning). Marcel Duchamp (Marcel Duchamp) 's (Readymade) series of finished art, created several years later, is believed to have perfected the concept of pick-up, and its production.
【分類號】:J05
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本文編號:2465030

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