【摘要】：海德格爾對(duì)詩(shī)的看法形成于上世紀(jì)三十年代,是在對(duì)本有思想的沉思一道獲得發(fā)展而成型的。依據(jù)他對(duì)時(shí)代本質(zhì)的把握,從本有出發(fā),海德格爾認(rèn)為詩(shī)承擔(dān)了三重主題:第一、詩(shī)為"急迫"創(chuàng)造了一個(gè)自由的空間,使真理得以在其中發(fā)生;第二、詩(shī)為人提供了與存在建立始源性關(guān)系的最佳場(chǎng)所,并使其所承擔(dān)的拯救職責(zé)得以奏效;第三、詩(shī)的詩(shī)意棲居的時(shí)空之所決定了其乃是人-神游戲的存在之本質(zhì),而這一存在之本質(zhì)須要在"另一開端"中贏獲。故此,時(shí)間—游戲—空間的運(yùn)作正是本有主導(dǎo)的在"另一開端"中的本質(zhì)現(xiàn)身。
[Abstract]:Heidegger's view of poetry came into being in the 1930's and developed along with thought. According to his understanding of the essence of the times, Heidegger thinks that poetry bears three main themes: first, poetry creates a free space for "urgency", in which truth can occur; Second, poetry provides the best place for people to establish the original sexual relationship with existence, and makes it effective in its rescue duty. Thirdly, the essence of the existence of the game of man and God is determined by the time and space in which poetry resides, and the essence of this existence needs to be won in another beginning. Therefore, the operation of time-game-space is the essence that is dominant in another beginning.
【作者單位】： 上海戲劇學(xué)院藝術(shù)研究所;南京大學(xué)哲學(xué)系;
【基金】：上海市教育委員會(huì)高原學(xué)科建設(shè)計(jì)劃Ⅱ高原上海戲劇學(xué)院藝術(shù)學(xué)理論 上海市教育發(fā)展基金會(huì)和上海市教育委員會(huì)“曙光計(jì)劃”資助 中國(guó)博士后科學(xué)基金面上資助(2016M590433) 江蘇省博士后科研資助計(jì)劃(1601126C)的階段性成果
【分類號(hào)】：I052
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本文編號(hào)：2410937