【摘要】： 藝術(shù)地理研究是一個(gè)跨學(xué)科的研究,它既是新藝術(shù)史研究的一個(gè)新視角,也是文化地理學(xué)的重要分支。本文首先重申地理、空間在藝術(shù)研究中的不可或缺的重要?dú)v史地位和價(jià)值意義,希望平衡時(shí)間和歷史所主導(dǎo)的實(shí)踐意識(shí)和理論意識(shí),任何歷史和時(shí)間的進(jìn)程都必須在一定空間和地理層上展開,兩者是不可分割的。文化通常通過一系列特定空間里的形式和活動(dòng)來獲得再現(xiàn),不同的文化產(chǎn)出于不同的區(qū)域從而創(chuàng)造各不相同的富有象征意義的文化景觀,作為文化的重要組成部分的藝術(shù),也深深根植于文化景觀這一更為堅(jiān)實(shí)的物質(zhì)基礎(chǔ)上。藝術(shù)通過創(chuàng)造和想象,對不同的地理景觀進(jìn)行了表現(xiàn)和闡釋,展現(xiàn)了多樣的富有感情的理解世界的方法,賦予空間關(guān)系不同的社會(huì)意義,說明了生活的本質(zhì)和時(shí)代的變遷。藝術(shù)作為可定位的特定的現(xiàn)象,有著內(nèi)在的地理學(xué)屬性,本文將和藝術(shù)相關(guān)的地理環(huán)境和思維結(jié)合在“藝術(shù)場”結(jié)構(gòu)語境中,揭示了地理空間的結(jié)構(gòu)和所規(guī)范的社會(huì)行為,說明藝術(shù)圖像和風(fēng)格不是孤立和客體的存在,而是與特定地理空間中的行為及思維有著有機(jī)的特殊的歷史關(guān)系。 研究中國當(dāng)代藝術(shù)的地理緯度,就是探討具體地理環(huán)境對中國當(dāng)代藝術(shù)家和作品創(chuàng)作產(chǎn)生的重要影響,勾勒出藝術(shù)地理景觀所蘊(yùn)含的內(nèi)在差別及復(fù)雜意義。本文以地方意識(shí)作為把握不同空間意識(shí)結(jié)構(gòu)的基本內(nèi)核,由宏觀的全球、國家、地方三者空間辯證關(guān)系對中國當(dāng)代藝術(shù)創(chuàng)作影響的研究,過渡到鄉(xiāng)村與城市相對微觀的地理空間的研究,并且對北京、上海、廣州、成都四個(gè)獨(dú)特城市空間的進(jìn)行具體分析。希望通過這樣遞進(jìn)的地理層次分析,展現(xiàn)不同空間范疇中獨(dú)特的富有象征性藝術(shù)景觀,豐富觀察的角度和解釋的可能性,揭示藝術(shù)與地域間的現(xiàn)實(shí)情景,使得中國當(dāng)代藝術(shù)研究拋棄種種空洞乏味的抽象性話語的敘述,更具有現(xiàn)實(shí)意義和當(dāng)下性。從而在地理空間中還原藝術(shù)生動(dòng)的整體感,更好的了解全球化背景下中國藝術(shù)的身份的根源及其發(fā)展方向,對中國藝術(shù)未來的良性發(fā)展提供參考和借鑒,重建新的文化定位和地域認(rèn)同。
[Abstract]:The study of art geography is an interdisciplinary study, which is not only a new angle of view in the study of new art history, but also an important branch of cultural geography. This paper first reaffirms the indispensable historical position and value significance of geography and space in art research, and hopes to balance the practical and theoretical consciousness dominated by time and history. The process of any history and time must be carried out in a certain space and geography, the two are inseparable. Culture is usually reproduced through a series of forms and activities in a particular space, and different cultures are produced in different regions to create different symbolic cultural landscapes, the art of which is an important part of culture. Also deeply rooted in the cultural landscape, this more solid material foundation. By creating and imagining, art represents and interprets different geographical landscapes, shows a variety of emotional ways to understand the world, endows space with different social significance, and explains the essence of life and the changes of the times. Art, as a specific phenomenon that can be located, has the inherent geographical attribute. This paper combines the geographical environment and thinking related to art in the structural context of "art field", and reveals the structure of geographical space and the social behavior regulated by it. It shows that artistic images and styles are not isolated and object, but have a special historical relationship with the behavior and thinking in a particular geographical space. To study the geographical latitude of Chinese contemporary art is to explore the important influence of the specific geographical environment on the creation of Chinese contemporary artists and works, and to outline the inherent differences and complex meanings of the artistic geography landscape. This article regards the local consciousness as the basic core to grasp the different spatial consciousness structure, from the macroscopic global, national, local three spatial dialectical relations to the Chinese contemporary artistic creation influence research, The transition to the rural and urban microcosmic geographical space research, and Beijing, Shanghai, Guangzhou, Chengdu four unique urban space for specific analysis. It is hoped that through this progressive geographical level analysis, the unique symbolic artistic landscape in different spatial categories will be displayed, the angle of observation and the possibility of interpretation will be enriched, and the realistic situation between art and region will be revealed. It is of realistic significance and present nature that Chinese contemporary art studies abandon all kinds of empty abstract discourse narration. In order to restore the vivid overall sense of art in geographical space, better understand the origin and development direction of the identity of Chinese art under the background of globalization, and provide reference and reference for the benign development of Chinese art in the future. To re-establish a new cultural identity and regional identity.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2010
【分類號】：J120.9

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