【摘要】：把敘事中的某些表達稱為敘述聲音,其實是一種譬喻,因為它們像是發(fā)自有自我意識的主體。通過辨識文本中或隱或顯的跡象,可以發(fā)現(xiàn)敘述聲音存在的蹤影。人類對聲音的傾聽可分為因果傾聽、語義傾聽和還原傾聽,它們分別聚焦于聲音發(fā)生的原因、聲音傳遞的意義以及無關(guān)原因和意義的聲音本身,這三種模式同樣可以用來傾聽敘述聲音。在敘事學(xué)發(fā)展過程中,敘述聲音一直是理論家關(guān)注的焦點。迄今為止學(xué)界有四種與敘述聲音有關(guān)的觀點值得注意:一是敘述聲音即作者的聲音,二是敘述聲音即敘述者的聲音,三是敘述聲音即文本中的所有聲音,四是敘述聲音即修辭手段。
[Abstract]:It is a metaphor to refer to some expressions in narration as narrative sounds, because they come from self-conscious subjects. By identifying the implicit or explicit signs in the text, the presence of the narrative sound can be found. Human listening to sound can be divided into causality listening, semantic listening and restoring listening. They focus on the causes of sound, the meaning of sound transmission and the sound itself, which has nothing to do with cause or meaning. These three patterns can also be used to listen to narrative sounds. In the development of narratology, narrative voice has always been the focus of attention of theorists. Up to now, there are four kinds of viewpoints related to narrative sound: one is narrative sound, the other is narrator's voice, and the third is narrative sound, that is, all the sounds in the text. Fourth, the narrative voice is a rhetorical device.
【作者單位】： 江西師范大學(xué)敘事學(xué)研究中心;
【基金】：國家社會科學(xué)基金重點項目“聽覺敘事研究”(編號:13AZW003);國家社會科學(xué)基金重大項目“中西敘事傳統(tǒng)比較研究”(編號:16ZDA195)
【分類號】：I06

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1 王興旺;;“敘述聲音”辨析[J];浙江工業(yè)大學(xué)學(xué)報(社會科學(xué)版);2009年04期

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