發(fā)布時(shí)間：2018-10-18 11:49

【摘要】：19世紀(jì)中期以來(lái)的西方藝術(shù)開啟了快速創(chuàng)新的歷程,并持續(xù)發(fā)生著劇烈的變動(dòng)。西方現(xiàn)代藝術(shù)在新范式建立和更迭的過(guò)程中,受到社會(huì)變革及其生產(chǎn)方式轉(zhuǎn)型的極大影響;而后者則在很大程度上取決于與技術(shù)革命、媒介更新的強(qiáng)烈互動(dòng)。本文試圖從這樣一個(gè)理論視角出發(fā),通過(guò)對(duì)印象派、裝置藝術(shù)、電視和錄像藝術(shù)、互聯(lián)網(wǎng)藝術(shù)進(jìn)行綜合的社會(huì)史與藝術(shù)史考察,以解釋新藝術(shù)范式建立的原因,并在同時(shí)重建其轉(zhuǎn)型的歷史連續(xù)性。
[Abstract]:Since the mid-19th century, western art has opened the course of rapid innovation, and has been changing dramatically. In the process of establishing and changing the new paradigm, the western modern art is greatly influenced by the social change and the transformation of the production mode, while the latter depends to a great extent on the strong interaction with the technological revolution and the renewal of the media. From such a theoretical perspective, this paper attempts to explain the reasons for the establishment of the New Art Paradigm through a comprehensive investigation of the social and artistic history of Impressionism, installation art, television and video art, and the art of the Internet. And at the same time re-establish its historical continuity of transformation.
【作者單位】： 《美術(shù)》;
【分類號(hào)】：J110.9

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1 王向峰;;社會(huì)生產(chǎn)方式與藝術(shù)生產(chǎn)[J];遼寧大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1982年01期

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本文編號(hào)：2279037