論《紅高粱家族》德譯本中文化專有項(xiàng)的翻譯
發(fā)布時(shí)間：2018-08-28 07:26
【摘要】：本文的研究對(duì)象是中國當(dāng)代小說《紅高粱家族》及其德譯本中的文化專有項(xiàng)。筆者搜集整理了《紅高粱家族》里出現(xiàn)的文化專有項(xiàng),并將其與德語譯文進(jìn)行了比較。本文研究的目的是通過定性和定量分析,研究漢語文化專有項(xiàng)的翻譯策略,以期為今后文化專有項(xiàng)的翻譯工作提供借鑒。《紅高粱家族》是中國當(dāng)代文學(xué)著名作品,作者為2012年諾貝爾文學(xué)獎(jiǎng)獲得主莫言。莫言的作品以其大膽的想象和非凡的表現(xiàn)手法吸引了全世界無數(shù)讀者。德譯本《紅高粱家族》由Peter Weber-Schafer完成并于2007年問世。它的出版給比較《紅高粱家族》中文原版和德語譯本的研究工作提供了可能�！都t高粱家族》中頻繁出現(xiàn)了大量的文化專有項(xiàng),給讀者留下了深刻的印象。這些文化專有項(xiàng)植根于中華文化,通常在德語中找不到對(duì)應(yīng)的表達(dá),因此給翻譯工作增加了難度。所以有必要對(duì)翻譯者如何處理文學(xué)作品中的文化專有項(xiàng)問題進(jìn)行探討。本文的理論基礎(chǔ)分為兩個(gè)方面。一方面是基于翻譯學(xué)的文化轉(zhuǎn)向及ReiB/Verrmeer的目的翻譯理論。另一方面涉及具體翻譯方法,包括異化、歸化的翻譯方法、艾克西拉提出的文化專有項(xiàng)的翻譯策略以及許曉駿對(duì)艾克西拉的翻譯策略的兩點(diǎn)補(bǔ)充。本文把《紅高粱家族》中文版中的文化專有項(xiàng)分成了六大類、十八個(gè)小類。分類標(biāo)準(zhǔn)同時(shí)借鑒了西方學(xué)者和中國學(xué)者的研究成果,并引入了漢學(xué)研究中對(duì)文化專有項(xiàng)的分類,這也是本文的一個(gè)創(chuàng)新之處。本文針對(duì)每類文化專有項(xiàng),共分析了艾克西拉提出的八種翻譯策略、許曉駿補(bǔ)充的兩種翻譯策略、異化、歸化翻譯策略和混合翻譯策略。同時(shí),本文通過質(zhì)性研究,發(fā)現(xiàn)了兩種新的翻譯策略,可以作為現(xiàn)有翻譯策略的補(bǔ)充。通過定量研究,本文分析了各類翻譯策略使用的頻率以及文化專有項(xiàng)種類和翻譯策略之間的聯(lián)系。本文歸納了:譯者是如何運(yùn)用現(xiàn)有翻譯策略的、兩種新的翻譯策略、文化專有項(xiàng)翻譯中使用頻率較高的翻譯策略和翻譯特定種類的文化專有項(xiàng)所使用的高頻翻譯策略。最后本文結(jié)合具體翻譯方法,就文學(xué)作品中文化專有項(xiàng)的翻譯提出了合理化建議。
[Abstract]:The object of this study is the cultural exclusivity of the Chinese contemporary novel Red Sorghum Family and its German translation. The author collected and sorted out the cultural specialties in Red Sorghum Family and compared them with the German translation. The purpose of this study is to study the translation strategies of Chinese culture-specific items through qualitative and quantitative analysis, in order to provide a reference for the translation of culture-specific items in the future. The Red Sorghum Family is a famous contemporary literary work in China. The author won the 2012 Nobel Prize for Literature by Mo Yan. Mo Yan's works have attracted countless readers around the world with their bold imagination and extraordinary expression. The German translation Red Sorghum Family was completed by Peter Weber-Schafer and published in 2007. Its publication makes it possible to compare the original Chinese version of the Red Sorghum Family with the German translation. A large number of cultural specialties have frequently appeared in the Red Sorghum Family, leaving a deep impression on the readers. These culture-specific items are rooted in Chinese culture and are usually unable to find corresponding expressions in German, which makes translation more difficult. Therefore, it is necessary to discuss how translators deal with cultural exclusivity in literary works. The theoretical basis of this paper is divided into two aspects. On the one hand, it is based on the cultural turn of translatology and ReiB/Verrmeer 's Skopos translation theory. On the other hand, it deals with specific translation methods, including foreignization, domestication, translation strategies of culture-specific items proposed by Aksila and Xu Xiaojun's two supplements to Aksila's translation strategies. In this paper, the Chinese version of Red Sorghum Family is divided into six categories and eighteen subcategories. The classification standard draws on the research results of western scholars and Chinese scholars, and introduces the classification of culture-specific items in Sinology, which is also an innovation of this paper. This paper analyzes eight translation strategies proposed by Aksila, two translation strategies added by Xu Xiaojun, alienation, domestication and mixed translation strategies. At the same time, through qualitative research, this paper finds two new translation strategies, which can be used as a supplement to the existing translation strategies. Through quantitative analysis, this paper analyzes the frequency of use of various translation strategies and the relationship between the types of culture-specific items and translation strategies. This paper summarizes how translators use existing translation strategies, two new translation strategies, the high-frequency translation strategies used in culture-specific items translation and the high-frequency translation strategies used in translating specific culture-specific items. Finally, this paper puts forward some reasonable suggestions on the translation of culture-specific items in literary works.
【學(xué)位授予單位】：北京外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：H33;I046
本文編號(hào)：2208702
[Abstract]:The object of this study is the cultural exclusivity of the Chinese contemporary novel Red Sorghum Family and its German translation. The author collected and sorted out the cultural specialties in Red Sorghum Family and compared them with the German translation. The purpose of this study is to study the translation strategies of Chinese culture-specific items through qualitative and quantitative analysis, in order to provide a reference for the translation of culture-specific items in the future. The Red Sorghum Family is a famous contemporary literary work in China. The author won the 2012 Nobel Prize for Literature by Mo Yan. Mo Yan's works have attracted countless readers around the world with their bold imagination and extraordinary expression. The German translation Red Sorghum Family was completed by Peter Weber-Schafer and published in 2007. Its publication makes it possible to compare the original Chinese version of the Red Sorghum Family with the German translation. A large number of cultural specialties have frequently appeared in the Red Sorghum Family, leaving a deep impression on the readers. These culture-specific items are rooted in Chinese culture and are usually unable to find corresponding expressions in German, which makes translation more difficult. Therefore, it is necessary to discuss how translators deal with cultural exclusivity in literary works. The theoretical basis of this paper is divided into two aspects. On the one hand, it is based on the cultural turn of translatology and ReiB/Verrmeer 's Skopos translation theory. On the other hand, it deals with specific translation methods, including foreignization, domestication, translation strategies of culture-specific items proposed by Aksila and Xu Xiaojun's two supplements to Aksila's translation strategies. In this paper, the Chinese version of Red Sorghum Family is divided into six categories and eighteen subcategories. The classification standard draws on the research results of western scholars and Chinese scholars, and introduces the classification of culture-specific items in Sinology, which is also an innovation of this paper. This paper analyzes eight translation strategies proposed by Aksila, two translation strategies added by Xu Xiaojun, alienation, domestication and mixed translation strategies. At the same time, through qualitative research, this paper finds two new translation strategies, which can be used as a supplement to the existing translation strategies. Through quantitative analysis, this paper analyzes the frequency of use of various translation strategies and the relationship between the types of culture-specific items and translation strategies. This paper summarizes how translators use existing translation strategies, two new translation strategies, the high-frequency translation strategies used in culture-specific items translation and the high-frequency translation strategies used in translating specific culture-specific items. Finally, this paper puts forward some reasonable suggestions on the translation of culture-specific items in literary works.
【學(xué)位授予單位】：北京外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：H33;I046
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 許曉駿;文化專有項(xiàng)的翻譯策略研究[D];北京外國語大學(xué);2014年
，本文編號(hào)：2208702
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