【摘要】：改革開放以來(lái),馬克思主義文藝批評(píng)得到迅速發(fā)展,但也出現(xiàn)了理論與實(shí)踐脫節(jié)的現(xiàn)象。從現(xiàn)象和成因的角度來(lái)說(shuō),主要表現(xiàn)為不同程度地脫離作者和文本、脫離群眾、脫離現(xiàn)實(shí)三個(gè)方面。這既不利于馬克思主義文藝批評(píng)自身的發(fā)展,也不利于我們?cè)鰪?qiáng)文化自信和構(gòu)建文化強(qiáng)國(guó)。
[Abstract]:Since the reform and opening up, Marxist literary criticism has developed rapidly, but there has also been a disconnection between theory and practice. From the angle of phenomenon and cause of formation, it mainly shows three aspects: the author and the text, the masses and the reality. This is not conducive to the development of Marxist literary criticism, but also to the enhancement of cultural confidence and the construction of cultural power.
【作者單位】： 武漢大學(xué)馬克思主義學(xué)院;
【分類號(hào)】：I0
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本文編號(hào)：2159987