論后現(xiàn)代藝術(shù)的反美學特征
發(fā)布時間：2018-08-01 08:38
【摘要】：從時間維度上考察,后現(xiàn)代主義藝術(shù)是繼現(xiàn)代主義藝術(shù)之后的一種風格和思潮,二者之間的差異更多地表現(xiàn)為理論立場和創(chuàng)作態(tài)度的不同。在后現(xiàn)代境遇中,無論是藝術(shù)本身還是對藝術(shù)的理解都體現(xiàn)出一種不同于傳統(tǒng)和現(xiàn)代意義上的反美學特征。波普藝術(shù)、大地藝術(shù)和身體藝術(shù)等都凸顯了這一特征。后現(xiàn)代藝術(shù)與文化工業(yè)、大眾傳媒和商業(yè)文化的合謀,驅(qū)逐了浪漫主義以來的天才美學范疇和高級現(xiàn)代主義的個體創(chuàng)造性的宏偉概念,藝術(shù)不再是傳統(tǒng)的美學和藝術(shù)哲學意義上的藝術(shù)作品,藝術(shù)作品已經(jīng)成為了一種產(chǎn)品,不再堅持藝術(shù)作品的自律性邊界和藝術(shù)與審美的深度詮釋,也不再具有深刻的作者意圖的表現(xiàn)與對現(xiàn)實世界和精神世界的再現(xiàn)與探索,藝術(shù)也不再是一種對意義和真理的追求,在一片嘲弄、質(zhì)疑、顛覆和解構(gòu)聲中終結(jié)著傳統(tǒng)的和現(xiàn)代的所有美學體制。
[Abstract]:From the perspective of time, post-modernism art is a kind of style and trend of thought after modernism art, and the difference between them is manifested more by the difference of theoretical stand and creative attitude. In the post-modern situation, both the art itself and the understanding of art reflect a kind of anti-aesthetic characteristic which is different from the traditional and modern sense. Pop art, earth art and body art all highlight this feature. The collusion of post-modern art and cultural industry, mass media and commercial culture banishes the geniality of aesthetics since romanticism and the grand concept of individual creativity in advanced modernism. Art is no longer a work of art in the sense of traditional aesthetics and philosophy of art. It has become a product and no longer insists on the self-discipline boundary of art works and the deep interpretation of art and aesthetics. Also no longer has the profound author intention the performance and the reproduction and the exploration to the real world and the spiritual world, the art is no longer a kind of pursuit to the meaning and the truth, in a mockery, the question, The sound of subversion and deconstruction ends all aesthetic systems, both traditional and modern.
【作者單位】： 鄭州大學文學院;
【分類號】：J01
本文編號：2157003
[Abstract]:From the perspective of time, post-modernism art is a kind of style and trend of thought after modernism art, and the difference between them is manifested more by the difference of theoretical stand and creative attitude. In the post-modern situation, both the art itself and the understanding of art reflect a kind of anti-aesthetic characteristic which is different from the traditional and modern sense. Pop art, earth art and body art all highlight this feature. The collusion of post-modern art and cultural industry, mass media and commercial culture banishes the geniality of aesthetics since romanticism and the grand concept of individual creativity in advanced modernism. Art is no longer a work of art in the sense of traditional aesthetics and philosophy of art. It has become a product and no longer insists on the self-discipline boundary of art works and the deep interpretation of art and aesthetics. Also no longer has the profound author intention the performance and the reproduction and the exploration to the real world and the spiritual world, the art is no longer a kind of pursuit to the meaning and the truth, in a mockery, the question, The sound of subversion and deconstruction ends all aesthetic systems, both traditional and modern.
【作者單位】： 鄭州大學文學院;
【分類號】：J01
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