【摘要】："夢幻"是人類認知世界的一種特殊方式,而藝術(shù)是展示人類"夢幻"的重要渠道。楚地漆器紋飾云氣流蕩,事物處于瞬息萬變之中,一事物可以幻化為他事物,人物或奇譎詭怪或飄然飛升,具有"夢幻"藝術(shù)效果。超現(xiàn)實主義繪畫受到弗洛伊德潛意識理論的影響,力求表現(xiàn)非理性、無邏輯的夢幻世界,也具有"夢幻"藝術(shù)效果。楚地漆器紋飾是人類對于宇宙混沌狀態(tài)的集體記憶,體現(xiàn)了主客不分的原始思維模式和對世界的混沌體驗。超現(xiàn)實主義繪畫是第一次世界大戰(zhàn)后藝術(shù)家在倦怠于理性和秩序的生存狀態(tài)下對于非理性世界的呼喚,是清醒的藝術(shù)家刻意制造的夢幻之境,折射出理性語境下人類的惶惑和恐懼。
[Abstract]:"Dream" is a special way of the human cognition of the world, and art is an important channel to show the human "dream". The ornamentation of the Chu lacquer lacquer is in the clouds and the things are in a fast changing. One thing can be transformed into things, the characters or strange strange or flutter, with the "dream" artistic effect. The surrealism painting is Freud The influence of the subconscious theory strives to express the irrational and illogical fantasy world, and also has the "dream" artistic effect. The Chu lacquer ornamentation is a collective memory of the chaotic state of the universe, embodies the original thinking mode and the chaotic experience of the world. The surrealism painting is the artist after the first World War. The call to the irrational world in the survival state of reason and order is the dreamland which the sober artists deliberately create, reflecting the human confusion and fear in the rational context.
【作者單位】： 中央民族大學(xué)文學(xué)與新聞傳播學(xué)院;
【分類號】：J05
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本文編號：2155597