日本美術(shù)的歷史譜系與特征——《圖說日本美術(shù)史》評(píng)述
發(fā)布時(shí)間:2018-06-24 16:01
本文選題:日本美術(shù) + 民族美術(shù)。 參考:《江西社會(huì)科學(xué)》2017年08期
【摘要】:正"日本美術(shù)"這一詞匯,對(duì)中國(guó)人而言似乎較為新鮮?梢哉f,日本美術(shù)將融合性和裝飾性融成一體,尤其在20世紀(jì)前,日本美術(shù)不但較好地保持了其裝飾性的民族特點(diǎn),也對(duì)外來文化進(jìn)行了積極主動(dòng)的吸收和融合。一般來說,日本美術(shù)呈現(xiàn)出以下特征——享譽(yù)世界的浮世繪、與亞歐美術(shù)之融合、具有民族特點(diǎn)的裝飾性。所有這些特征都能夠借助日本的民族美術(shù)展現(xiàn)出來,對(duì)外來文化同樣具有一定的吸收與消化作用。
[Abstract]:The term "Japanese fine art" seems new to the Chinese. It can be said that Japanese art combines the fusion and decoration, especially before the 20th century, Japanese art not only kept its decorative national characteristics, but also actively absorbed and integrated the foreign culture. Generally speaking, Japanese art presents the following characteristics: the world-famous Archaeological painting, the fusion of Asian and European art, and the decorative features of the nation. All these characteristics can be displayed with the help of Japanese national art, and also have a certain absorption and digestion to foreign culture.
【作者單位】: 河南廣播電視大學(xué);
【分類號(hào)】:J131.3-5
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,本文編號(hào):2062079
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