本文選題：朱光潛 + 美學(xué)思想��； 參考：《東北師范大學(xué)》2009年碩士論文

【摘要】： 近些年,學(xué)術(shù)界對(duì)朱光潛先生美學(xué)思想的研究性著作和論文頗多。本文主要對(duì)朱光潛先生的美學(xué)思想進(jìn)行梳理,首先介紹了朱光潛先生的生平和美學(xué)思想的中西文化根基;然后對(duì)朱光潛的主要美學(xué)思想進(jìn)行論述,分別從“美感經(jīng)驗(yàn)”說(shuō)、悲劇理論、詩(shī)歌理論、美的本質(zhì)還有人性、人道主義、人情味和共同美五個(gè)方面論述,本人把朱光潛的美學(xué)思想分為三個(gè)階段,以上五個(gè)方面是他三個(gè)階段中比較有代表性的美學(xué)思想;最后談?wù)勚旃鉂撁缹W(xué)思想的歷史貢獻(xiàn)和影響。 朱光潛的學(xué)術(shù)生涯是從研究心理學(xué)開始的,因此他的美學(xué)常帶有心理學(xué)的痕跡;他的“美感經(jīng)驗(yàn)”說(shuō)就是個(gè)例子,他吸收了立普斯等人的“移情說(shuō)”、谷魯斯等人的“內(nèi)模仿說(shuō)”、布洛等人的“心理距離”說(shuō),分別說(shuō)明“美感經(jīng)驗(yàn)”產(chǎn)生的心理?xiàng)l件、過(guò)程和生理基礎(chǔ)。朱光潛創(chuàng)建了中國(guó)現(xiàn)代史上唯一的悲劇美學(xué)思想體系,雖然有對(duì)悲劇概念把握局限的缺點(diǎn),但不足以影響他對(duì)悲劇快感論述的深度與廣度。朱光潛對(duì)詩(shī)歌理論的闡述主要體現(xiàn)在《詩(shī)論》中,這是他學(xué)術(shù)方式上的一次超越,此時(shí)的朱光潛不再停留于綜合性的介紹,而是試圖獨(dú)立系統(tǒng)的整理研究,使他以一個(gè)中國(guó)近現(xiàn)代美學(xué)開創(chuàng)者的身份出現(xiàn)在現(xiàn)代學(xué)術(shù)史上。在美學(xué)大辯論中,朱光潛圍繞美的本質(zhì)提出“美是主客觀的統(tǒng)一”,雖然他過(guò)去也是這么認(rèn)為的,但過(guò)去與現(xiàn)在的理解有很大的變化,因?yàn)榇藭r(shí)的朱光潛已經(jīng)大量的研讀了馬列主義文論。文革后,朱光潛提出當(dāng)前文藝界的最大課題就是解放思想,沖破禁區(qū),他是最早為文學(xué)藝術(shù)表現(xiàn)人性作出辯護(hù)的理論家之一,他的《關(guān)于人性、人道主義、人情味和共同美問(wèn)題》是一力作,他認(rèn)為馬克思不但沒(méi)有否定過(guò)人道主義,而且把人道主義與自然主義的統(tǒng)一看作是真正共產(chǎn)主義的體現(xiàn)。
[Abstract]:In recent years, the academic circles to the Zhu Guangqian esthetics thought research work and the paper quite many. This paper mainly combs Mr. Zhu Guangqian's aesthetic thought, first introduces Mr. Zhu Guangqian's life and the foundation of Chinese and western culture of aesthetic thought, then discusses the main aesthetic thought of Zhu Guangqian, respectively, from the view of "aesthetic experience". Tragedy theory, poetry theory, the essence of beauty, human nature, humanitarianism, humanism and common beauty are also discussed. I divide Zhu Guangqian's aesthetic thought into three stages. The above five aspects are the representative aesthetic thoughts in his three stages, and finally, the historical contribution and influence of Zhu Guangqian's aesthetic thought. Zhu Guangqian's academic career began with the study of psychology, so his aesthetics often bears psychological traces; his theory of "aesthetic experience" is an example, and he assimilates the "empathy theory" of Lippes and others. The theory of "inner imitation" by Gulus et al., and the theory of "psychological distance" by Bulo et al., respectively explain the psychological conditions, process and physiological basis of "aesthetic experience". Zhu Guangqian created the only tragic aesthetic system in the modern history of China. Although he had the shortcoming of grasping the limitation of the concept of tragedy, it was not enough to influence the depth and breadth of his exposition on the pleasure of tragedy. Zhu Guangqian's elaboration of poetry theory is mainly reflected in Poetics, which is a transcendence in his academic way. At this time, Zhu Guangqian no longer stays in a comprehensive introduction, but attempts to organize and study independently and systematically. He appeared in the modern academic history as a pioneer of modern Chinese aesthetics. In the aesthetic debate, Zhu Guangqian proposed that "beauty is the unity of subjectivity and objectivity" around the essence of beauty. Although he thought so in the past, his understanding of the past and the present has changed greatly. Because at this time Zhu Guangqian has read a lot of Marxism-Leninist literary theory. After the Cultural Revolution, Zhu Guangqian put forward that the greatest task in the literary and art field is to emancipate the mind and break through the forbidden zone. He was one of the earliest theorists who defended the expression of human nature in literature and art. The question of humanity and Common Beauty "is a masterpiece. He believes that Marx not only did not deny humanitarianism, but also regarded the unity of humanitarianism and naturalism as the embodiment of true communism."
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 江冬梅;生命·藝術(shù)·直覺(jué)[D];西南大學(xué);2011年

相關(guān)碩士學(xué)位論文 前1條

1 郭笑天;朱光潛與李澤厚美感學(xué)說(shuō)的比較[D];山西師范大學(xué);2013年

，

本文編號(hào)：1924541