本文選題：八五新潮美術(shù) + 文化��； 參考：《河北大學(xué)》2017年碩士論文

【摘要】：八五新潮美術(shù)的文化價值對于中國美術(shù)乃至于中國文化的重要性不亞于新文化運動在思想領(lǐng)域的地位,這不僅取決于八五新潮美術(shù)發(fā)生的歷史背景,更是由這一運動給中國美術(shù)和中國文化帶來的深遠影響決定的。草根性和英雄氣概使得八五新潮美術(shù)在那個年代掀起了藝術(shù)文化領(lǐng)域的狂風(fēng)暴雨,傳統(tǒng)美術(shù)受到?jīng)_擊,傳統(tǒng)文化也隨之受到影響并開始認(rèn)真審視這一與眾不同的藝術(shù)形態(tài),雖然當(dāng)時已經(jīng)出現(xiàn)了先鋒小說、先鋒音樂等先鋒派藝術(shù),但是八五新潮美術(shù)文化的發(fā)生還是強有力的震撼了中國美術(shù)界。八五新潮美術(shù)以新一代藝術(shù)家為主體,以西方的現(xiàn)代主義藝術(shù)為基礎(chǔ),在藝術(shù)領(lǐng)域掀起了精英文化運動的浪潮,對后世的影響卻并不僅局限于藝術(shù)領(lǐng)域,更有著對于中國文化發(fā)展進步的巨大意義,這也就使得八五新潮美術(shù)同時也成為了一場理論運動,對于西方現(xiàn)代主義文化的傳播決定了八五新潮美術(shù)文化廣泛而深遠的歷史影響力。本文從文化意涵的角度重新解讀和研究八五新潮美術(shù)文化價值,這不僅是對這一事件本身的研究,更是為了探究中國文化藝術(shù)發(fā)展的過程和意義,從而對當(dāng)前的文化藝術(shù)發(fā)展提供一定的理論支撐,充分發(fā)揮理論研究的實踐意義。本文的主要內(nèi)容共五個章節(jié),分為三個部分對八五新潮美術(shù)的文化價值進行了詳細(xì)的研究和闡釋。第一部分是以第二章為主,這一部分內(nèi)容主要介紹了八五新潮美術(shù)對于西方現(xiàn)代主義文化藝術(shù)的引進,以及隨之而來現(xiàn)代主義文化藝術(shù)和傳統(tǒng)文化藝術(shù)發(fā)生的碰撞,共同推動了之后中國文化藝術(shù)的發(fā)展和進步;第二部分主要就是對于八五新潮美術(shù)的文化價值意義進行了分析,尤其是對于文化民間的新方向,這一部分是以第三章和第四章為主;最后一部分是由第五章和最終的結(jié)論部分構(gòu)成,主要就是對于八五新潮美術(shù)的重要意義進行了總結(jié),并對本文的寫作意義進行了概括,一定程度上對論文進行了理論升華。
[Abstract]:The cultural value of the eighth Five-Year Plan New trend Art is no less important to Chinese art and even to Chinese culture than the New Culture Movement's position in the ideological field. This not only depends on the historical background of the eighth Five-Year Plan New trend Fine Arts. It is determined by the profound influence of this movement on Chinese art and Chinese culture. Grass roots and heroism made the eighth Five-Year Plan trendy art storm in the field of art and culture in that period, and the traditional art was impacted, and the traditional culture was also affected and began to seriously examine this distinctive art form. Although avant-garde novels, vanguard music and other avant-garde arts had appeared at that time, the occurrences of the eighth Five-Year Plan and the new trend of art culture still shook the Chinese art circle. The eighth Five-Year Plan, with the new generation of artists as the main body and the modernist art in the West as the basis, has set off a wave of elite cultural movements in the field of art, but its influence on later generations is not limited to the field of art. It is also of great significance to the development and progress of Chinese culture. This has also made the eighth Five-Year Plan of Fine Arts a theoretical movement at the same time. The spread of western modernist culture determines the historical influence of the eight-fifth-five-year-old art culture. This paper reinterprets and studies the cultural value of the eighth Five-Year Plan from the perspective of cultural implication. This is not only a study of the incident itself, but also a study of the process and significance of the development of Chinese culture and art. Therefore, it can provide some theoretical support for the current development of culture and art, and give full play to the practical significance of theoretical research. The main content of this paper consists of five chapters, which are divided into three parts to study and explain in detail the cultural value of the eight-five-year-old trendy fine arts. The first part is based on the second chapter. This part mainly introduces the introduction of modern art to western modernism culture and art, and the collision between modernism culture and traditional culture and art. Jointly promoted the development and progress of Chinese culture and art after that; the second part mainly analyzes the cultural value significance of the eighth Five-Year Plan New trend Fine Arts, especially for the new direction of culture and folk. This part is mainly composed of the third and fourth chapters, the last part is composed of the fifth chapter and the final conclusion, which summarizes the significance of the eighth five-year plan and the significance of the writing of this paper. To some extent, the thesis has been sublimated.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J120.9

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