本文選題：藝術(shù) + 美��； 參考：《延安大學(xué)》2015年碩士論文

【摘要】：“藝術(shù)”與“美”是西方美學(xué)史上兩個重要概念,從古希臘時期開始,“藝術(shù)”與“美”的關(guān)系一直在不斷的發(fā)展變化著,這兩個概念關(guān)系的變化,是美學(xué)與藝術(shù)學(xué)科不斷發(fā)展變化的結(jié)果。因而,對“藝術(shù)”與“美”二者關(guān)系理論進(jìn)行研究,也是對美學(xué)與藝術(shù)學(xué)科內(nèi)涵與外延研究的需要�！八囆g(shù)”與“美”在西方文論中出現(xiàn)的較早,西方與中國很多美學(xué)家、哲學(xué)家都對這兩個概念進(jìn)行過深入研究。從現(xiàn)有的研究成果來看大致可以分為幾類:一些學(xué)者都傾向于從某一美學(xué)家的角度來對二者進(jìn)行分析,如從柏拉圖、黑格爾、康德等美學(xué)家的角度來對“藝術(shù)”與“美”進(jìn)行研究;有一些學(xué)者對“藝術(shù)”與“美”二者的關(guān)系進(jìn)行了研究,這類研究大多著重分析二十世紀(jì)之前這段歷史時期,對于二十世紀(jì)之后二者關(guān)系的新局勢分析少之又少;還有一些學(xué)者在對“藝術(shù)”與“美”關(guān)系進(jìn)行分析時,很少用實例對其理論進(jìn)行佐證,因此在論述二者關(guān)系時經(jīng)常會看到“決別”、“對立”等字眼。本文將針對現(xiàn)有的研究成果,對以往研究中存在的不足進(jìn)行補充,著重分析二十世紀(jì)之后的“藝術(shù)”與“美”二者的關(guān)系理論,特別是將“藝術(shù)”與“美”概念、內(nèi)涵與外延呈現(xiàn)的多元化趨勢詳細(xì)論述,即從古希臘時期一直到二十世紀(jì)后半期,以此使二者的理論關(guān)系變遷形成一個完整的體系。此外,本文在對“藝術(shù)”與“美”關(guān)系理論的分析中,將二者關(guān)系轉(zhuǎn)變的原因當(dāng)作重點進(jìn)行描述,以往的學(xué)術(shù)論文中很少有學(xué)者對二者關(guān)系轉(zhuǎn)變原因進(jìn)行詳細(xì)分析,這是“藝術(shù)”與“美”關(guān)系理論分析不可缺少的一部分,本文將對這一空白進(jìn)行填充,以此達(dá)到完善“藝術(shù)”與“美”關(guān)系理論分析的目的。
[Abstract]:"Art" and "beauty" are two important concepts in the history of western aesthetics. Since the ancient Greek period, the relationship between "art" and "beauty" has been constantly developing and changing. It is the result of the continuous development of aesthetics and art. Therefore, it is necessary to study the connotation and extension of aesthetics and art. "Art" and "Beauty" appeared earlier in the western literary theory. Many aestheticians and philosophers in the West and China have deeply studied these two concepts. Some scholars tend to analyze the two from the point of view of a certain aesthetician, such as Plato, Hegel, Kant and other aestheticians study "art" and "beauty" from the angle of view. Some scholars have studied the relationship between "art" and "beauty", most of which focus on the historical period before the twentieth century. There is little analysis of the new situation of the relationship between the two after the twentieth century, and some scholars seldom use examples to support their theories when analyzing the relationship between "art" and "beauty". Therefore, when discussing the relationship between the two, we often see the words "never" and "opposites". Aiming at the existing research results, this paper will supplement the shortcomings of the previous studies, and focus on the analysis of the relationship theory between "art" and "beauty" after the 20th century, especially the concept of "art" and "beauty". The pluralistic trend of connotation and extension is discussed in detail, that is, from the ancient Greek period to the second half of the 20th century, so that the theoretical relationship between the two changes into a complete system. In addition, in the analysis of the relationship theory of "art" and "beauty", this paper describes the reasons for the transformation of the relationship between the two as the focus, and few scholars in the previous academic papers have made a detailed analysis of the reasons for the transformation of the relationship between the two. This is an indispensable part of the theoretical analysis of the relationship between "art" and "beauty", and this article will fill in this blank in order to perfect the theoretical analysis of the relationship between "art" and "beauty".
【學(xué)位授予單位】：延安大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I01

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張志偉;論藝術(shù)哲學(xué)與美學(xué)的對立[J];鄭州大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2003年02期

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本文編號：1848389