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淺談當(dāng)代市場經(jīng)濟(jì)背景下的中國油畫市場

發(fā)布時間:2018-05-02 21:37

  本文選題:市場經(jīng)濟(jì) + 油畫市場。 參考:《武漢理工大學(xué)》2009年碩士論文


【摘要】: 油畫作為西方傳統(tǒng)繪畫藝術(shù)的一個重要門類,由于歷史傳統(tǒng)原因,在中國發(fā)展只有百多年的歷史。相對中國傳統(tǒng)書畫,投資者和收藏者對油畫認(rèn)知度、關(guān)注度都不高。油畫與市場結(jié)合,在中國內(nèi)地最早可追溯到20世紀(jì)80年代,晚于已形成規(guī)模的港臺地區(qū)的油畫市場。中國的油畫市場曾經(jīng)一直都是中國藝術(shù)市場最低迷,最薄弱,最缺乏活力的板塊之一。 伴隨著21世紀(jì)國內(nèi)國際穩(wěn)定的市場經(jīng)濟(jì)環(huán)境下中國經(jīng)濟(jì)的持續(xù)發(fā)展,人民文化生活與精神需求不斷提升;在全球文化大融合的背景下,人們對油畫認(rèn)知度提高;伴隨著人們對中國油畫市場關(guān)注度提高,直接促使中國油畫價格呈積極上升趨勢,油畫的收藏與投資固定群體逐漸壯大,中國油畫藝術(shù)市場發(fā)展迅猛。同時在國際國內(nèi)藝術(shù)品市場的帶動下,中國的油畫市場目前已經(jīng)成為中國藝術(shù)品市場中最具魅力,發(fā)展最為迅猛,最有投資價值的一個板塊。并且在整個中國藝術(shù)品市場中發(fā)揮著越來越重要的作用。 中國油畫市場在市場經(jīng)濟(jì)背景下雖然只經(jīng)歷了短短二十多年的歷程,但其發(fā)展迅猛。對油畫市場的理論研究非常薄弱,遠(yuǎn)遠(yuǎn)跟不上油畫市場的發(fā)展速度。本文以中國油畫市場為觀察中心,運用藝術(shù)學(xué)、美學(xué)、經(jīng)濟(jì)學(xué)、管理學(xué)等多學(xué)科結(jié)合的研究方法,結(jié)合中國的實際情況,以目前油畫市場四大要素(油畫供給者、油畫商品、油畫市場、油畫消費者)和現(xiàn)代市場中介(畫廊、拍賣行、藝術(shù)博覽會、經(jīng)紀(jì)人)為基本研究單元,系統(tǒng)地研究中國油畫市場背后所蘊藏的運作規(guī)律,并針對中國油畫市場的投資和收藏存在的諸多現(xiàn)實問題加以重點分析。通過這一歷史時期的經(jīng)濟(jì)背景、狀況、文化思想意識等方面對中國油畫市場作嘗試性的考察和探究,進(jìn)一步掌握中國油畫創(chuàng)作與拍賣收藏狀況,明晰我國油畫市場的發(fā)展的原因、存在的問題及未來趨勢,這對提高人們對中國油畫市場的認(rèn)識,具有其理論和現(xiàn)實意義。
[Abstract]:As an important category of western traditional painting art, oil painting has developed only for more than 100 years in China due to historical and traditional reasons. Compared with traditional Chinese calligraphy and painting, investors and collectors pay little attention to oil painting. The combination of oil painting and market can be traced back to the 1980s in mainland China, later than the oil painting market in Hong Kong and Taiwan. China's oil painting market has always been one of China's most depressed, weakest, and least dynamic sectors. With the sustainable development of China's economy in the stable market economy environment of the 21st century, the people's cultural life and spiritual needs are constantly improved, in the context of the great integration of global culture, people's awareness of oil painting has improved. With the increase of attention to the Chinese oil painting market, the price of Chinese oil painting is rising, the collection and investment of oil painting is gradually growing, and the Chinese oil painting art market is developing rapidly. At the same time, driven by the international and domestic art market, the oil painting market in China has become the most attractive, the most rapid development, the most valuable plate of investment. And in the whole Chinese art market is playing a more and more important role. Under the background of market economy, Chinese oil painting market has only experienced a short history of more than 20 years, but its development is swift and violent. The theoretical research on the oil market is very weak, far from keeping up with the development of the oil market. This article takes the Chinese oil painting market as the observation center, uses the art, the esthetics, the economics, the management science and so on the multi-disciplinary combination research method, unifies the Chinese actual situation, with the present oil painting market four main factors (the oil painting supplier, the oil painting commodity, The oil painting market, oil painting consumers) and modern market intermediaries (galleries, auction houses, art fairs, brokers) are the basic research units to systematically study the operational laws behind the Chinese oil painting market, And the Chinese oil painting market investment and collection of a lot of practical problems to focus on analysis. Through this historical period of economic background, status, cultural ideology and other aspects of the Chinese oil painting market to try to investigate and explore, and further grasp the situation of Chinese oil painting creation and auction collection, It is of theoretical and practical significance to clarify the reasons, existing problems and future trends of the oil painting market in China, which is of theoretical and practical significance to improve people's understanding of the oil painting market in China.
【學(xué)位授予單位】:武漢理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2009
【分類號】:J124

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 馬鴻增,馬曉剛;藝術(shù)市場憂思四則[J];美術(shù)觀察;1999年01期

2 徐琛;中國藝術(shù)市場問題 藝術(shù)品市場當(dāng)前存在的主要問題——文化部文化市場司副司長劉玉珠訪談[J];美術(shù)觀察;2000年09期

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