本文選題：創(chuàng)作領(lǐng)域 + 藝術(shù)語言　； 參考：《文藝爭鳴》2017年03期

【摘要】：正北方民族薩滿藝術(shù)中美術(shù)類非物質(zhì)文化遺產(chǎn)在今天成為人們的審美對象,隨著原始薩滿文化到近現(xiàn)代文化的轉(zhuǎn)換,經(jīng)過了由神化到人化的轉(zhuǎn)變過程。不僅成為現(xiàn)代藝術(shù)創(chuàng)作的載體,而且在藝術(shù)創(chuàng)作領(lǐng)域它也是"尋根"的本源之一。薩滿藝術(shù)成為當(dāng)代美術(shù)創(chuàng)作尋根的本源之一有其必然性。薩滿藝術(shù)具有深厚的文化內(nèi)涵和藝術(shù)內(nèi)涵。其藝術(shù)表現(xiàn)形式極其豐富、涉及的美術(shù)門類多樣。美
[Abstract]:The intangible cultural heritage of fine arts in the Shaman art of northern China has become the aesthetic object of people today. With the transformation from primitive shaman culture to modern culture, it has gone through the process of transformation from deification to humanization. It is not only the carrier of modern art creation, but also one of the sources of seeking roots in the field of art creation. Shaman art has become one of the roots of contemporary art creation. Shaman art has profound cultural connotation and artistic connotation. Its art forms are extremely rich, involving a variety of art categories. Beauty
【作者單位】： 吉林大學(xué)藝術(shù)學(xué)院;
【分類號】：J05

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