論王國維的悲劇美學思想
發(fā)布時間:2018-04-20 18:41
本文選題:王國維 + 悲劇美學 ; 參考:《牡丹江師范學院》2010年碩士論文
【摘要】: 本文結合王國維悲苦而特殊的人生境遇和“性復憂郁”等性格特征以及中西方哲學影響等主客觀因素,系統(tǒng)闡述了其悲劇美學思想的形成原因、構成內容及特殊的價值追求。本文一方面深入開掘了王國維關于人類為擺脫苦痛命運枷鎖而進行審美超越、進入無功利美學境界的思想、關于審美主體要有推崇“第三種悲劇”的精神力量和對大團圓悲劇的理性批判的美學思想;另一方面對于王國維作為20世紀第一個將西方美學引入中國的學者,對于中國美學的特殊貢獻做出了進一步的梳理和總結。本文認為,王國維論悲探美的美學思想、通過審美來尋求人生解脫、追求特殊人生境界的美學精神,尤其在物欲橫流、追求功利、人心浮躁的當今社會,具有極為重要的啟示意義。
[Abstract]:Based on Wang Guowei's sad and special life circumstances and personality characteristics such as "sexual complex melancholy" and subjective and objective factors such as the influence of Chinese and Western philosophy, this paper systematically expounds the forming reason, the composing content and the special value pursuit of Wang Guowei's tragic aesthetic thought. On the one hand, this paper deeply excavates Wang Guowei's thought that human beings transcend aesthetics and enter the realm of non-utilitarian aesthetics in order to get rid of the shackles of bitter fate. On the other hand, Wang Guowei is the first scholar to introduce western aesthetics into China in the 20th century. To the Chinese esthetics special contribution has made the further combing and the summary. This paper holds that Wang Guowei's aesthetic thought of exploring beauty through aesthetics seeks liberation from life and the aesthetic spirit of pursuing a special realm of life, especially in today's society, in which material desires, utilitarianism, and impetuosity are pursued. Has extremely important enlightenment significance.
【學位授予單位】:牡丹江師范學院
【學位級別】:碩士
【學位授予年份】:2010
【分類號】:I01
【引證文獻】
相關期刊論文 前1條
1 陳廉;;解讀《紅樓夢》之悲劇意識性研究[J];芒種;2012年20期
,本文編號:1778966
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