本文選題：媒介美學(xué)　切入點(diǎn)：玄幻小說　出處：《中州學(xué)刊》2017年10期

【摘要】：網(wǎng)絡(luò)玄幻小說具有的數(shù)字審美特征往往被夸大其詞。當(dāng)我們借助媒介美學(xué)理論來考察網(wǎng)絡(luò)玄幻小說的超越對(duì)象、滅神情節(jié)和修煉行為時(shí),可以發(fā)現(xiàn)其表現(xiàn)出視覺性、世俗性和技術(shù)性等印刷文學(xué)的典型特征。因此,網(wǎng)絡(luò)玄幻小說的審美趣味應(yīng)被視為印刷審美與數(shù)字審美的混雜態(tài)。以此為基礎(chǔ),可以發(fā)現(xiàn)新媒介與文學(xué)的復(fù)雜關(guān)系及數(shù)字技術(shù)對(duì)大眾意識(shí)的"麻木"性問題。媒介研究的價(jià)值在于揭示我們身處其中的媒介和技術(shù)環(huán)境,發(fā)現(xiàn)其與我們的恰當(dāng)關(guān)系。利用麥克盧漢的媒介美學(xué)揭示網(wǎng)絡(luò)玄幻小說的印刷性,可以幫助大眾從電子技術(shù)的麻木狀態(tài)走出來,建立關(guān)于網(wǎng)絡(luò)玄幻小說的混雜性審美圖景。
[Abstract]:The digital aesthetic characteristics of network fantasy novels are often exaggerated. When we use the theory of media aesthetics to investigate the transcendent objects, deathless plots and practices of network fantasy novels, we can find that they are visual. Therefore, the aesthetic taste of network fantasy novels should be regarded as a mixture of printing aesthetics and digital aesthetics. The complex relationship between new media and literature and the "numbness" of digital technology to popular consciousness can be found. The value of media research lies in revealing the media and technological environment in which we are in. To discover its proper relationship with us and to reveal the printing of network fantasy novels by using McLuhan's media aesthetics can help the public to come out of the numb state of electronic technology and establish a mixed aesthetic picture of network fantasy novels.
【作者單位】： 中國(guó)文藝評(píng)論(西北大學(xué))基地;
【基金】：陜西省社科界重大理論與現(xiàn)實(shí)問題研究項(xiàng)目“陜西網(wǎng)絡(luò)文學(xué)產(chǎn)業(yè)發(fā)展策略研究”(2017Z038) 國(guó)家社會(huì)科學(xué)基金藝術(shù)學(xué)重點(diǎn)項(xiàng)目“網(wǎng)絡(luò)文藝發(fā)展研究”(16AA002)
【分類號(hào)】：I01

【相似文獻(xiàn)】

相關(guān)重要報(bào)紙文章 前2條

1 李清;大做白日夢(mèng) 玄幻小說還能火多久？[N];江淮時(shí)報(bào);2005年

2 陸揚(yáng);理論的迷途[N];文學(xué)報(bào);2011年

，

本文編號(hào)：1693167