本文選題：魏了翁　切入點(diǎn)：理學(xué)美學(xué)　出處：《西北大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：魏了翁(1178年—1237年)不“倚門(mén)傍戶”,具有創(chuàng)新意識(shí),形成了獨(dú)特的理學(xué)思想,但魏了翁的美學(xué)思想在較長(zhǎng)時(shí)期內(nèi)被忽視,魏了翁除了是理學(xué)家之外,“能詩(shī)擅詞”,擅書(shū)法,還具有“比較通達(dá)而圓滿”的文藝創(chuàng)作理論。學(xué)術(shù)界目前對(duì)其文學(xué)、詩(shī)詞等文藝觀點(diǎn)的研究較多,但多是討論魏了翁的藝術(shù)技巧。本文嘗試從思想文化角度,在哲學(xué)分析基礎(chǔ)上,對(duì)魏了翁的美學(xué)思想進(jìn)行整體研究與探討。魏了翁在以“本”為美的基礎(chǔ)上提出了獨(dú)特的文道觀,他不僅繼承了朱熹的“重道輕文”、“文道合一”的觀點(diǎn),更進(jìn)一步將有“本”者,即具有君子氣節(jié)等理想人格的有道者的作品包含在內(nèi),這反映了魏了翁不僅重道,更重人對(duì)“道”的追求,重視主體的“心”的主宰作用。在魏了翁的美學(xué)體系中,作為審美實(shí)踐活動(dòng)的“自得”概念具有自覺(jué)性,創(chuàng)造性,主體性以及自然性(“非著力把捉”)四個(gè)特點(diǎn)。對(duì)于如何“自得”即審美修養(yǎng)的問(wèn)題,魏了翁提出要通過(guò)“明心”使自我的主體意識(shí)覺(jué)醒,然后便可觀察外物,觀物之后還要做到“內(nèi)反諸心”,超越對(duì)象本身而對(duì)其生命精神(理)產(chǎn)生共鳴,從而有所“得”。魏了翁還提出了追求“中和”氣韻,要求體現(xiàn)義理與“氣節(jié)”以及觀德與論世的審美標(biāo)準(zhǔn)問(wèn)題。最后,魏了翁在其詩(shī)詞作品與書(shū)法作品中也體現(xiàn)了豐富的美學(xué)思想因素。對(duì)魏了翁美學(xué)思想的研究,有助于豐富把握中國(guó)傳統(tǒng)美學(xué)特質(zhì)與理學(xué)美學(xué)的內(nèi)涵,并且對(duì)于人們更好地理解魏了翁的思想及其人格有助益。
[Abstract]:Wei Weng (1178-1237) did not "rely on his family" and had innovative consciousness and formed a unique Neo-Confucianism thought. However, Wei Weng's aesthetic thought was ignored for a long time. In addition to being a Neo-Confucianism, Wei Weng was "able to write poetry" and was good at calligraphy. At present, the academic circles have studied his literature and art views more, but mostly discussed Wei Weng's artistic skills. This paper tries to discuss Wei Weng's artistic skills from the angle of ideology and culture. On the basis of philosophy analysis, the author makes a whole research and discussion on Wei Weng's aesthetic thought. On the basis of the beauty of "this", Wei Weng puts forward a unique outlook on literature and Taoism. He not only inherits Zhu Xi's viewpoint of "attaching importance to Tao and neglecting the text", and "the unity of literature and Taoism". Further, the works of those who have "this", that is, those with ideal personality such as gentleman's character, are included, which reflects Wei Weng's pursuit of "Tao" as well as his emphasis on Tao. In Wei Weng's aesthetic system, the concept of "self-satisfaction", as a practical aesthetic activity, is self-conscious and creative. There are four characteristics of subjectivity and nature ("not focusing on catching"). With regard to the question of how to be "self-satisfied", that is, aesthetic accomplishment, Wei Weng proposed that the subject consciousness of self should be awakened through "clear mind", and then he could observe foreign things. After viewing things, we should also achieve "inner opposition to the hearts", transcending the object itself and resonating with its life spirit (theory), thus "getting". Wei Yan-weng also proposed the pursuit of "neutralization". Finally, Wei Weng also embodies abundant aesthetic thought factors in his poetry works and calligraphy works. It is helpful to enrich and grasp the connotation of Chinese traditional aesthetic characteristics and Neo-Confucianism aesthetics, and to help people better understand Wei Weng's thought and personality.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I01;B244.99
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本文編號(hào)：1647733