本文選題：藝術(shù)門類理論　切入點：通感　出處：《藝術(shù)探索》2016年04期 　論文類型：期刊論文

【摘要】：魏晉南北朝各藝術(shù)門類(詩、文、書、畫等)理論異軍突起,花團錦簇,變古則今。之所以會出現(xiàn)這種盛況,主要是因為此前源遠流長之樂論的奠基;之所以樂論能為其奠基,是因為"通感"這一深層藝術(shù)文化基因之奠基;之所以"通感"基因能為其奠基,是因為"中和"這一更深層文化基因之奠基。此外,當(dāng)時隨佛教文化東進的古印度藝術(shù)理論影響亦為淵源之一。
[Abstract]:In the Wei, Jin, Southern and Northern dynasties, the theories of various kinds of art (poetry, literature, books, paintings, etc.) sprang up suddenly and changed into ancient times. The reason why this kind of prosperity occurred was mainly because of the foundation of the music theory, which had a long history, and was able to lay the foundation for it. Because "synaesthesia" is the foundation of the deep artistic and cultural gene, and the "synaesthesia" gene can lay the foundation for it because "neutralize" is the foundation of the deeper cultural gene. At that time, the influence of ancient Indian art theory along with the eastward development of Buddhist culture was also one of the origins.
【作者單位】： 四川大學(xué)藝術(shù)學(xué)院;
【分類號】：J120.9
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本文編號：1622256