本文選題：藝術發(fā)生　切入點：表象性能力　出處：《貴州社會科學》2017年12期 　論文類型：期刊論文

【摘要】：當代兩種基本的藝術發(fā)生學說都存在無法克服的問題——文化說漠視了人的生物基礎,架起了空中樓閣;而生物進化說又無法清楚說明生物進化與人的文化性以及社會性之間的發(fā)生發(fā)展關系。事實上,藝術的發(fā)生必然涉及三個維度的復雜性關聯,它們是人的表象性能力、概念性能力和公共呈示活動,分別對應的是藝術的生物性基礎、文化性基礎和社會性基礎。表象性能力是生物進化和遺傳的產物,它是藝術發(fā)生的根本條件;但藝術是一種富有意義和規(guī)范的活動,這就不可避免地要涉及屬人的概念性能力(不是概念本身)的參與;藝術的發(fā)生同宇宙中發(fā)生的任何其他事實一樣,都不是孤立的,而是具有群體性的事實,這個群體性事實的發(fā)生和維系是靠公共呈示來達到的。
[Abstract]:There is an insurmountable problem in the two basic theories of contemporary art-cultural theory ignores the biological basis of human beings and sets up castles in the air. However, the theory of biological evolution can not clearly explain the relationship between biological evolution and the cultural and social development of human beings. In fact, the occurrence of art must involve the complexity of three dimensions, which are the expressive ability of human beings. Conceptual ability and public presentation activities correspond to the biological basis, cultural basis and social basis of art, respectively. The expressive ability is the product of biological evolution and inheritance, and it is the fundamental condition for the occurrence of art. But art is a meaningful and normative activity, which inevitably involves the involvement of the conceptual capacity of the human being (not the concept itself); the occurrence of art, like any other fact that occurs in the universe, is not isolated. It is a group fact, and the occurrence and maintenance of this group fact is achieved by public presentation.
【作者單位】： 貴州省社會科學院;貴州師范大學;
【基金】：2017年貴州省社會科學院創(chuàng)新工程項目(2017CXTD09) 貴州省教育廳規(guī)劃項目“復雜性文藝美學基礎研究”(2017gh05)
【分類號】：J0-02
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本文編號：1620672