本文選題：偶然性　切入點(diǎn)：介入現(xiàn)實(shí)　出處：《廈門大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 從對個(gè)人創(chuàng)作經(jīng)歷的反思入手,針對自己在創(chuàng)作過程中不間斷的自我懷疑和否認(rèn)這一狀態(tài),對關(guān)于自我在創(chuàng)作中的真實(shí)呈現(xiàn)這一問題進(jìn)行再認(rèn)識是筆者寫作本論文的目的。 在全文中,作者對自己近年來的創(chuàng)作發(fā)展過程盡可能地進(jìn)行客觀剖析與闡述:從實(shí)踐初期對自己的創(chuàng)作行為產(chǎn)生的一些疑問到不知所終地試錯(cuò),否認(rèn)和進(jìn)一步質(zhì)疑。文章按照時(shí)間上的先后順序,結(jié)合與一些特定主題相關(guān)的作品,逐一探討在藝術(shù)創(chuàng)作過程中作者的幾個(gè)階段性的對關(guān)于真實(shí)性問題的思考,其中主要包括:可疑的偶然性、介入現(xiàn)實(shí)的尷尬、偽個(gè)人話題三個(gè)階段之間的聯(lián)系。 正是出于對自己在初期創(chuàng)作中出現(xiàn)的一些偶然之舉的反思,才認(rèn)識到介入現(xiàn)實(shí)的重要與艱難的確切含義,而在改變題材遭遇到尷尬和瓶頸之后,又轉(zhuǎn)向深入關(guān)注現(xiàn)實(shí)中的個(gè)人的境遇。每個(gè)階段都由否認(rèn)和試探開始,同時(shí)也將變化和可能帶入新的階段。 涉及到在作品中自我的真實(shí)呈現(xiàn)這一話題,作品本身是否能受到肯定已無關(guān)緊要,最重要的是,在實(shí)踐的進(jìn)程中能不斷修正個(gè)人對事物認(rèn)知的不真實(shí)部分,使自己的藝術(shù)創(chuàng)作真正具有介入現(xiàn)實(shí)、呈現(xiàn)真實(shí)的某種銳氣和活力。
[Abstract]:Starting from the reflection of personal creation experience, aiming at the continuous self-doubt and denial in the process of creation, the author aims to re-understand the question of the real appearance of self in the creation. In the full text, the author tries to analyze and expound as objectively as possible the process of his creative development in recent years: from some questions that arise in the initial stage of practice to trial and error without knowing what to do. In accordance with the chronological order and combining with the works related to some specific subjects, the article discusses several stages of the author's reflection on authenticity in the process of artistic creation. It mainly includes: suspicious contingency, the embarrassment of intervening in reality, and the connection between the three stages of pseudo-personal topic. It is out of the reflection of some accidental actions that occurred in the initial creation that we realized the exact meaning of the importance and difficulty of getting involved in reality, and after the embarrassing and bottleneck of changing the subject matter, Each phase begins with denial and temptation, and also brings change and possibility to a new stage. When it comes to the real presentation of the self in the work, it does not matter whether the work itself can be affirmed, and most importantly, the untrue part of the individual's perception of things can be constantly corrected in the process of practice. To make their own artistic creation has a real intervention reality, showing a real spirit and vitality.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J04

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 董洪杰;網(wǎng)絡(luò)即時(shí)通訊中的印象管理和印象形成[D];曲阜師范大學(xué);2012年

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本文編號：1597531