本文選題：身體　切入點：環(huán)境美學　出處：《中國文學研究》2017年04期 　論文類型：期刊論文

【摘要】：身體是環(huán)境美學中非常重要的一個范疇。與傳統(tǒng)主流哲學在二元論之上把身體視為客體對象不同,環(huán)境美學通過建構連續(xù)性的一元論哲學,得以把身體看作文化的形而上學,因此身體由傳統(tǒng)的客體位移到主體且為第一主體——這是對傳統(tǒng)身體觀念的巨大超越。與此相應,美學逐漸拋棄了"非身體化"——即精神化和心靈化傾向,向身體本位回歸。以身體為本位的環(huán)境美學主張真正的審美反應源于欣賞者肉體介入到審美對象中。肉體的介入瓦解了傳統(tǒng)美學中視聽覺霸權,而將低級的嗅味覺等引入其中,并賦予它們以通達世界本體的意義。從而,"美學的身體化"也克服了因生理性、物理性而與意義世界隔絕的片面性。
[Abstract]:Body is a very important category in environmental aesthetics. Different from the traditional mainstream philosophy which regards body as object object on the basis of dualism, environmental aesthetics regards body as the metaphysics of culture by constructing a continuous monistic philosophy. Therefore, the body shifts from the traditional object to the subject and is the first subject, which is a great transcendence of the traditional body concept. Accordingly, aesthetics gradually abandons the tendency of "deformalization", that is, the tendency of spiritualization and spiritualization. The real aesthetic response originates from the physical involvement of the appreciator into the aesthetic object. The physical intervention disintegrates the hegemony of visual and auditory perception in the traditional aesthetics, and introduces the low-level sense of smell and taste into it. And endow them with the meaning of understanding the world Noumenon. Thus, the "body of aesthetics" also overcomes the one-sidedness which is isolated from the world of meaning because of physique and physical reason.
【作者單位】： 湖南師范大學文學院;
【基金】：國家社科基金“西方自然美理論重建的邏輯與歷史研究”(15BZW017) 湖南省教育廳一般項目“阿諾德·伯林特介入美學研究”(15C0865) 湖南師范大學青年學術骨干項目“西方自然美理論的重建研究”(15XGG07)的階段性成果
【分類號】：I01

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