本文關(guān)鍵詞： 魏晉美學(xué) 生命意識(shí) 人倫品鑒 自然審美　出處：《蘭州大學(xué)》2010年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 正如宗白華先生所言,魏晉時(shí)代是一個(gè)“濃于生命彩色”的時(shí)代,美學(xué)是人的生存狀態(tài)的理性探求與詩(shī)意化的寫(xiě)照。這時(shí)期的美學(xué)思想自然要反思生命或生存本身,直接表現(xiàn)出生命的境界,找尋慰安生命的方式。魏晉美學(xué)形成了自己獨(dú)特的美學(xué)個(gè)性及獨(dú)特的生命意識(shí),并對(duì)此后的中國(guó)古典美學(xué)中生命意識(shí)特性的形成產(chǎn)生了相當(dāng)深遠(yuǎn)的影響。 本文企圖站在一定的理論高度,力求達(dá)到深層的哲學(xué)、文化意蘊(yùn)的開(kāi)掘與顯在現(xiàn)象描述的統(tǒng)一,既有范疇體系生命本體論的哲學(xué)、文化的邏輯整合,又有豐富的形象體系生命價(jià)值論的建構(gòu),并且力求使二者相統(tǒng)一。 本論文共分四部分： 第一章,梳理中國(guó)古典美學(xué)六大思潮中蘊(yùn)含的生命意識(shí)。 第二章,通過(guò)范疇體系的分析,把魏晉美學(xué)中的生命意識(shí)納入玄學(xué)美學(xué)本體論的闡釋框架,通過(guò)對(duì)魏晉文化的整體關(guān)照得出有關(guān)玄學(xué)美學(xué)范疇中蘊(yùn)含的人格本體論的生命意識(shí)。 第三、四章例舉《世說(shuō)新語(yǔ)》中對(duì)人物審美和自然審美的具體描�。旱谌挛簳x人倫品鑒,人物審美達(dá)到了身與心、情與理、感性與理性的統(tǒng)一；阮籍、嵇康“越名教任自然”的生命意識(shí)是新的個(gè)體感性生命意識(shí)積淀、升華而形成的實(shí)踐理性的生命意識(shí)。第四章自然審美,魏晉士人冥契“心”與“自然”通達(dá)而為“心物一體”的自由意識(shí)。
[Abstract]:As Zong Baihua said, the Wei and Jin dynasties were "more colorful than life", and aesthetics was the rational exploration and poetic portrayal of man's living state. The aesthetic thought of this period naturally had to reflect on life or existence itself. The aesthetics of the Wei and Jin dynasties formed its own unique aesthetic personality and unique consciousness of life. And then the formation of life consciousness in Chinese classical aesthetics has a very profound influence. This paper attempts to stand on a certain theoretical level and strive to achieve the unity of the deep philosophy, the excavation of cultural implication and the description of the phenomenon, which includes the philosophy of life ontology of category system and the logical integration of culture. There is a rich image system of the construction of life value theory, and strive to unify the two. This thesis is divided into four parts:. The first chapter combs the life consciousness contained in the six thoughts of Chinese classical aesthetics. The second chapter, through the category system analysis, brings the life consciousness in the Wei and Jin dynasties aesthetics into the explanation frame of metaphysical aesthetics ontology. Through the overall care of Wei and Jin culture, the author draws the life consciousness of personality ontology contained in metaphysical aesthetics. Chapter three, four chapters give an example of the description of the aesthetic and natural aesthetics of the characters. Chapter three: in the Wei and Jin dynasties, the aesthetic of human relations has reached the unity of body and mind, emotion and reason, sensibility and reason; Ruan Ji, Ji Kang's life consciousness of "teaching and serving nature" is a kind of practical rational life consciousness formed by the accumulation of new individual perceptual life consciousness and sublimation. Chapter 4th: natural Aesthetics. In Wei and Jin dynasties, Scholars understood the spirit and nature and became the free consciousness of the integration of mind and object.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：I206.2;I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 秦蓁;六朝之史學(xué)與世風(fēng)[D];復(fù)旦大學(xué);2012年

相關(guān)碩士學(xué)位論文 前1條

1 張艷東;論魏晉六朝之象喻批評(píng)[D];內(nèi)蒙古師范大學(xué);2013年

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本文編號(hào)：1554745