本文關(guān)鍵詞： 造像量度 藏傳佛教造像 唐卡 西藏畫師 藝術(shù)創(chuàng)造性　出處：《民族藝術(shù)》2017年02期 　論文類型：期刊論文

【摘要】：造像量度是藏傳佛教造像嚴(yán)格依據(jù)的身量比例與審美標(biāo)準(zhǔn)。從西藏畫師的主位視角來(lái)看,雖然佛經(jīng)中以數(shù)據(jù)和象征語(yǔ)言對(duì)唐卡的造像量度進(jìn)行了詳細(xì)地規(guī)范,但是在繪畫實(shí)踐中,畫師需要有選擇地使用忒康、勉昂與昂忒等各種量度線提高造型的生動(dòng)性,決定是否增減造像的身量比例以解決因特殊尺寸而產(chǎn)生的視覺(jué)差,思考如何調(diào)整動(dòng)態(tài)線以優(yōu)化造像的體態(tài)與身姿,以及通過(guò)面部細(xì)節(jié)的微妙關(guān)系處理表達(dá)出各自對(duì)佛之相貌與神態(tài)的不同理解。在唐卡的起稿過(guò)程中,西藏畫師不僅要根據(jù)圖像和文獻(xiàn)資料進(jìn)行體悟,還需要通過(guò)程式化訓(xùn)練實(shí)現(xiàn)個(gè)性刻畫,在法度中進(jìn)行藝術(shù)創(chuàng)造。
[Abstract]:Figurative measurements are strictly based on the body size ratio and aesthetic standard of Tibetan Buddhist statues. From the perspective of Tibetan painters, although the Buddhist scriptures regulate the measurement of Tangka's statues in data and symbolic language in detail, But in the practice of painting, the painters need to selectively use various measuring lines such as Tekon, Mian and Ante to improve the vividness of the modelling, and decide whether to increase or decrease the proportion of the figure to solve the visual difference caused by the special size. Think about how to adjust the dynamic line to optimize the posture and posture of the portrait, and to deal with the subtle relationship of facial details to express their different understanding of the Buddha's appearance and manner. Tibetan painters not only need to understand according to images and documents, but also need to achieve personality portrayal through stylized training, and create art in law.
【作者單位】： 云南民族大學(xué)藝術(shù)學(xué)院;中國(guó)社會(huì)科學(xué)院民族學(xué)與人類學(xué)研究所;
【基金】：國(guó)家社科基金西部項(xiàng)目“藏傳佛教造像量度理論與實(shí)踐研究”(14XZJ021) 中國(guó)博士后科學(xué)基金第9批特別資助項(xiàng)目“藏傳佛教繪畫的造像量度傳承與實(shí)踐研究”(2016T90173)階段性成果
【分類號(hào)】：J19

【相似文獻(xiàn)】

中國(guó)期刊全文數(shù)據(jù)庫(kù) 前1條

1 文渝;d)度之間話造像——唐卡中佛教造像的量度[J];西藏旅游;2003年06期

，

本文編號(hào)：1554203