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百年中國(guó)“審美”概念的歷史沿革及其意義

發(fā)布時(shí)間:2018-02-27 18:28

  本文關(guān)鍵詞: 審美 無(wú)功利 審美反映 審美意識(shí)形態(tài) 現(xiàn)代性美學(xué)體系 出處:《文學(xué)評(píng)論》2017年01期  論文類型:期刊論文


【摘要】:作為一個(gè)關(guān)鍵詞,"審美"不斷出現(xiàn)在中國(guó)現(xiàn)代文論、美學(xué)話語(yǔ)中。百年來(lái),審美概念所指涉的對(duì)象及其發(fā)揮的功能,都隨著社會(huì)文化、時(shí)代精神變化而變化,其內(nèi)涵與外延也相應(yīng)地表現(xiàn)出極大的彈性和靈活性;氐骄唧w的歷史語(yǔ)境,考察、辨析審美概念的歷史沿革及其意義,可以透視、把握百年中國(guó)文藝?yán)碚摰陌l(fā)展歷程。
[Abstract]:As a key word, "Aesthetics" has constantly appeared in Chinese modern literary theory and aesthetic discourse. Over the past hundred years, the objects involved in aesthetic concepts and their functions have all changed with the changes of social culture and the spirit of the times. Its connotation and extension also show great flexibility and flexibility correspondingly, return to the specific historical context, investigate, differentiate the historical evolution and significance of the aesthetic concept, can perspective, grasp the development course of Chinese literary and artistic theory for a hundred years.
【作者單位】: 湖州師范學(xué)院文學(xué)院;
【基金】:浙江省哲學(xué)社會(huì)科學(xué)規(guī)劃課題“20世紀(jì)90年代以來(lái)中國(guó)消費(fèi)文化的文學(xué)書寫批判”(項(xiàng)目編號(hào):15NDJC049YB)階段性成果
【分類號(hào)】:I01
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本文編號(hào):1543831

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