本文關(guān)鍵詞： 數(shù)字化藝術(shù) 文本形態(tài) 審美價(jià)值　出處：《中南大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 數(shù)字化傳媒技術(shù)對(duì)社會(huì)生活的全方位覆蓋,使文學(xué)藝術(shù)受到前所未有的影響,尤其是對(duì)藝術(shù)生產(chǎn)體制及其文本的存在方式的影響最為突出,數(shù)字化藝術(shù)就是在這樣的背景下產(chǎn)生的。這場(chǎng)由技術(shù)與文藝聯(lián)姻而發(fā)生的數(shù)字媒介下的文藝轉(zhuǎn)型運(yùn)動(dòng),形成了各種迥異于傳統(tǒng)文藝的全新文本范式,產(chǎn)生了網(wǎng)絡(luò)文學(xué)(數(shù)字化的文學(xué)文本、超文本文學(xué)、博客文學(xué)及手機(jī)文學(xué))、互聯(lián)網(wǎng)藝術(shù)(網(wǎng)絡(luò)繪畫、網(wǎng)絡(luò)音樂(lè)及網(wǎng)絡(luò)戲劇)、數(shù)字影視(數(shù)字電影、數(shù)字電視)、數(shù)字動(dòng)漫與數(shù)字?jǐn)z影、網(wǎng)絡(luò)游戲等新的數(shù)字化藝術(shù)文本。 正是基于媒介變更以及由此引發(fā)的藝術(shù)文本形態(tài)的變化,本文選擇了這一論題進(jìn)行研究。論文從數(shù)字化、數(shù)字化藝術(shù)、文本形態(tài)、審美價(jià)值這些基本概念的厘清及論文選題的研究目的、現(xiàn)狀及意義為引論展開論題。首先逐一理清數(shù)字化藝術(shù)文本的基本類型,然后在此基礎(chǔ)上剖析數(shù)字化藝術(shù)文本的審美特征,如虛擬與真實(shí)的整合、藝術(shù)與技術(shù)的交融、“草根”與精英的匯流、互動(dòng)與體驗(yàn)的同步、祛魅與返魅的統(tǒng)一等。根據(jù)以上分析對(duì)數(shù)字化藝術(shù)文本進(jìn)行正反兩方面的價(jià)值解讀及缺失分析,分別闡述了其審美價(jià)值體現(xiàn)為藝術(shù)審美價(jià)值、技術(shù)媒介價(jià)值、社會(huì)文化價(jià)值、文本創(chuàng)新價(jià)值,數(shù)字化藝術(shù)文本的價(jià)值缺失則表現(xiàn)為對(duì)數(shù)字媒介的過(guò)度依賴、技術(shù)對(duì)藝術(shù)的功能消解、藝術(shù)原點(diǎn)對(duì)經(jīng)典的祛魅、主體自律與他律的失范等。最后對(duì)數(shù)字化藝術(shù)文本的價(jià)值建構(gòu)提出了自己的思考,如技術(shù)生產(chǎn)的祛魅、文本內(nèi)容的價(jià)值承載、創(chuàng)作主體的素養(yǎng)提升與藝術(shù)自律,以便將數(shù)字化藝術(shù)文本形態(tài)與審美價(jià)值這一論題從表層到內(nèi)核進(jìn)行全面解析。結(jié)語(yǔ)部分根據(jù)上述客觀分析及理性判斷對(duì)數(shù)字化藝術(shù)的未來(lái)予以展望。
[Abstract]:The digital media technology covers all aspects of social life, which makes literature and art suffer unprecedented influence, especially on the art production system and the existence way of its text. Digital art came into being in this context. This transformation movement of literature and art under the digital media, which took place by the marriage of technology and literature, has formed a variety of completely new text paradigms that are completely different from those of traditional literature and art. Network literature (digital literary text, hypertext literature, blog literature and mobile phone literature), Internet art (network painting, network music and network drama), digital film and television (digital film), Digital TV, digital animation and digital photography, online games and other new digital art text. It is based on the change of the media and the change of the art text form that this thesis chooses this topic to carry on the research. The thesis from the digitization, the digitized art, the text form, the article from the digitization, the digital art, the text form, To clarify the basic concepts of aesthetic value and the purpose, present situation and significance of the research on the topic of the thesis. First of all, to clarify the basic types of digital art texts one by one. Then it analyzes the aesthetic characteristics of digital art texts, such as the integration of virtual and real, the blending of art and technology, the convergence of "grass roots" and elite, the synchronization of interaction and experience. According to the above analysis, the author interprets the value of digital art text from both positive and negative aspects, and expounds its aesthetic value as art aesthetic value, technical medium value, social and cultural value, respectively. The value of text innovation, the value deficiency of digital art text is shown by excessive dependence on digital media, dispel of art function by technology, disenchantment of art origin to classic, Finally, the author puts forward his own thinking on the value construction of digital art text, such as disenchantment of technology production, value bearing of text content, literacy improvement of creative subject and art self-discipline. In order to analyze the topic of digital art text form and aesthetic value from the surface to the core, the conclusion looks forward to the future of digital art according to the above objective analysis and rational judgment.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：I0-05

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 方源;;新媒體之虛擬現(xiàn)實(shí)藝術(shù)與審美觀念變革研究[J];大眾文藝;2012年16期

2 李岱楠;;數(shù)字媒體藝術(shù)的文化價(jià)值研究[J];藝海;2012年05期

3 董蕊;;淺談數(shù)字藝術(shù)與中國(guó)畫的結(jié)合[J];電子測(cè)試;2013年06期

相關(guān)碩士學(xué)位論文 前4條

1 盧新亮;數(shù)字媒體藝術(shù)的文化塑造與價(jià)值實(shí)現(xiàn)[D];曲阜師范大學(xué);2010年

2 許睿;當(dāng)代復(fù)合符號(hào)文學(xué)文本研究[D];廣西師范大學(xué);2012年

3 吳輝;短信文學(xué)的悖論現(xiàn)象研究[D];中南大學(xué);2012年

4 王楠;印刷媒介和數(shù)字媒介的沖突與并行[D];山東輕工業(yè)學(xué)院;2011年

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本文編號(hào)：1533995