本文關(guān)鍵詞： 香港藝術(shù)市場 大陸藝術(shù)市場 藝術(shù)文化中心 國際化進(jìn)程　出處：《西南大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 藝術(shù)市場是藝術(shù)理論研究者不可忽視的問題。近年來,我們可以看到中國大陸藝術(shù)市場的發(fā)展在不斷的蓬勃壯大,在競爭激烈的國際市場中占有一席之地。作為中國特區(qū)的香港,地處中國大陸邊緣,有著特殊的地理位置,并融匯東西方文化,有著方便的國際交流環(huán)境,是亞洲藝術(shù)品流通中心的它,和祖國藝術(shù)市場的發(fā)展有著不可忽略的緊密聯(lián)系,而且從另一個方面來說帶動了中國藝術(shù)市場的發(fā)展。所以我們研究香港繪畫藝術(shù)市場對大陸繪畫藝術(shù)市場的影響,對大陸藝術(shù)市場的健康發(fā)展有著重要意義。 本文主要是運(yùn)用比較研究法。著重研究香港繪畫藝術(shù)市場對大陸繪畫藝術(shù)市場的影響因素,其他藝術(shù)市場暫不作為重點研究。這種比較主要從兩方面進(jìn)行,一是首先主要從外在的歷史背景、地緣角度、人文環(huán)境三個方面做比較分析,然后再從內(nèi)在的運(yùn)作模式、經(jīng)營理念以及規(guī)范程度三個方面作比較分析。通過深入系統(tǒng)的比較分析研究,較得出以下結(jié)論: 1,從外在的歷史背景、地緣角度和人文環(huán)境等方面比較分析了香港藝術(shù)市場相對大陸而言所具有的優(yōu)勢,以及這些優(yōu)勢對大陸藝術(shù)市場所具有的積極的推動作用。 2,從內(nèi)在的經(jīng)營理念、運(yùn)作模式和規(guī)范程度等方面比較分析了香港藝術(shù)市場已有的優(yōu)勢。香港藝術(shù)市場對大陸藝術(shù)市場的資源配置、操作方法、拍賣規(guī)則、流程的制定、專場分類、拍品的價格預(yù)估等方面都構(gòu)成了積極的影響。 3,更進(jìn)一步來說,香港和大陸在藝術(shù)市場以及文化方面都存在著雙向互動和融合的具體影響,尤其大陸深厚的文化資源優(yōu)勢,需要通過借鑒香港藝術(shù)市場的經(jīng)驗從而形成自己應(yīng)有的優(yōu)勢地位,而香港也需要從大陸深厚的文化傳統(tǒng)來提升香港藝術(shù)市場的文化地位,從而形成香港與大陸藝術(shù)市場在全球化語境之下的互補(bǔ)優(yōu)勢,全面激活香港和內(nèi)地的當(dāng)代藝術(shù)市場,實現(xiàn)雙贏,并為香港與大陸藝術(shù)市場的進(jìn)一步發(fā)展尋找到可借鑒的經(jīng)驗和價值啟示。
[Abstract]:The art market is a problem that cannot be ignored by art theorists. In recent years, we can see that the development of the art market in mainland China is constantly growing. Hong Kong, as a special economic zone of China, is located on the edge of the mainland of China, has a special geographical position, integrates the eastern and western cultures, and has a convenient international exchange environment. It is the center of art circulation in Asia. It is closely related to the development of the art market in the motherland. Therefore, we study the influence of Hong Kong painting market on the mainland art market, which is of great significance to the healthy development of the mainland art market. This paper mainly uses comparative research method to study the influence factors of Hong Kong painting art market on the mainland painting art market, while other art markets are not used as the key research. This kind of comparison is mainly carried out from two aspects. The first is to make a comparative analysis mainly from the external historical background, geographical point of view and humanistic environment, and then from the internal operating mode. Through in-depth and systematic comparative analysis, the following conclusions are drawn:. 1. From the external historical background, geographical point of view and humanistic environment, this paper compares and analyzes the advantages of Hong Kong art market compared with the mainland, and the positive role of these advantages in promoting the mainland art market. (2) comparing and analyzing the advantages of Hong Kong's art market from the aspects of internal management concept, operation mode and standard degree, etc. The resource allocation, operation method, auction rules, process formulation of Hong Kong art market to the mainland art market, The classification of special events, the price estimates of the lot, and other aspects have formed a positive impact. Further, Hong Kong and the mainland have a specific impact of two-way interaction and integration in the art market and culture, especially the mainland's deep cultural resource advantages. We need to learn from the experience of Hong Kong's art market in order to form our own dominant position, and Hong Kong also needs to upgrade the cultural status of Hong Kong's art market from the profound cultural tradition of the mainland. Thus forming the complementary advantages of the art markets of Hong Kong and the mainland in the context of globalization, fully activating the contemporary art markets in Hong Kong and the mainland, and realizing a win-win situation. And for the further development of the art market in Hong Kong and the mainland, we can learn from the experience and value enlightenment.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J124

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 楊文濤;文化財產(chǎn)的國際保護(hù)和追索的法律體制構(gòu)建[D];吉林大學(xué);2011年

2 耿妍;香港地區(qū)近現(xiàn)代水墨山水畫繪畫風(fēng)格研究[D];河南師范大學(xué);2013年

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本文編號：1525818