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20世紀(jì)90年代以來西方“關(guān)鍵詞批評(píng)”發(fā)展檢視

發(fā)布時(shí)間:2018-01-14 05:34

  本文關(guān)鍵詞:20世紀(jì)90年代以來西方“關(guān)鍵詞批評(píng)”發(fā)展檢視 出處:《浙江社會(huì)科學(xué)》2017年11期  論文類型:期刊論文


  更多相關(guān)文章: 世紀(jì) 年代 關(guān)鍵詞批評(píng) 詞語的關(guān)聯(lián)性 跨學(xué)科 文論性


【摘要】:源自雷蒙·威廉斯的"關(guān)鍵詞批評(píng)"問世后頗受西方學(xué)術(shù)界關(guān)注,數(shù)據(jù)庫Scopus及書籍詞頻統(tǒng)計(jì)器(Google Books Ngram Viewer)提供的數(shù)據(jù)顯示,"關(guān)鍵詞批評(píng)"自20世紀(jì)90年代以來激發(fā)了為數(shù)不少的"關(guān)鍵詞寫作"和"關(guān)鍵詞研究"。"關(guān)鍵詞批評(píng)"也在文學(xué)研究和文化研究領(lǐng)域得以傳承與發(fā)展,既延續(xù)了雷蒙·威廉斯緊密聯(lián)系特定社會(huì)歷史文化語境解析"關(guān)鍵詞"生成演變的理路,又在文學(xué)批評(píng)實(shí)踐層面出現(xiàn)了新變與推進(jìn)。"關(guān)鍵詞批評(píng)"相關(guān)著述多注重運(yùn)用歷史語義學(xué)方法解析"關(guān)鍵詞"的生成演變,彰顯詞語之間的關(guān)聯(lián)性,具有鮮明的跨學(xué)科特點(diǎn)。在文學(xué)批評(píng)實(shí)踐層面顯示出不再僅以追溯"關(guān)鍵詞"語義源起為重心,而代之以"關(guān)鍵詞"在批評(píng)歷史和實(shí)踐中的生衍為考察重點(diǎn),以增益于文學(xué)批評(píng)理論與相關(guān)學(xué)科之建構(gòu)和發(fā)展的特點(diǎn)。"關(guān)鍵詞批評(píng)"在編撰體例上有所突破,表現(xiàn)出了重視并緊密聯(lián)系文學(xué)文本進(jìn)行批評(píng)實(shí)踐及進(jìn)一步彰顯文論性的趨向。
[Abstract]:"keyword criticism", which originated from Raymond Williams, has attracted considerable attention in Western academia since it came out. Database Scopus and book word frequency statistician Google Books Ngram Viewer provide data display. Since 1990s, "keyword criticism" has inspired a large number of "keyword writing" and "keyword research". "keyword criticism" has also been inherited and developed in the field of literary and cultural studies. It is a continuation of Ramon Williams' approach to the generation and evolution of "keywords" in the context of a particular social, historical and cultural context. At the practical level of literary criticism there has been a new change and promotion. "keyword criticism" related works focus on the use of historical semantics to analyze the generation and evolution of "key words", highlighting the relevance between words. It has distinct interdisciplinary characteristics. In the practical level of literary criticism, it is not only focused on tracing back to the semantic origin of "keyword", but instead of "keyword" in the history and practice of criticism as the focus of investigation. Based on the characteristics of the construction and development of literary criticism theory and related disciplines, there is a breakthrough in the compilation style of "keyword criticism". It shows the tendency of attaching importance to literary texts and making criticism in close connection with literary texts.
【作者單位】: 浙江大學(xué)人文學(xué)院中文系;
【基金】:國家社科基金青年項(xiàng)目“‘關(guān)鍵詞批評(píng)’的理論范式及其在中國的批評(píng)實(shí)踐研究”(11CZW019) 教育部人文社科青年項(xiàng)目“‘關(guān)鍵詞批評(píng)’研究”(10YJC751035)的階段性成果 浙江大學(xué)文科教師教學(xué)科研發(fā)展專項(xiàng)資助
【分類號(hào)】:I06
【正文快照】: 本文所謂的“關(guān)鍵詞批評(píng)”指上個(gè)世紀(jì)中后期初興于文化研究領(lǐng)域并逐漸蔓延開來的一種批評(píng)類型,源自雷蒙·威廉斯(Raymond Williams,1921—1988)在《文化與社會(huì):1780—1950》(Culture and Society:1780—1950,1958)、《關(guān)鍵詞:文化與社會(huì)的詞匯》(Keywords:A Vocabulary of Cul,

本文編號(hào):1422272

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