本文關(guān)鍵詞：淺析噶如班智達(dá)洛桑西繞對(duì)工巧學(xué)的貢獻(xiàn)　出處：《西藏大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 噶如班智達(dá) 壁畫(huà) 工藝學(xué) 唐卡 藝術(shù)風(fēng)格

【摘要】：噶如班智達(dá)·洛桑西繞是十八世紀(jì)安多熱貢地區(qū)近代歷史上同時(shí)精通藏傳佛教繪畫(huà)、雕塑兩大藝術(shù)門類,且作品獨(dú)具匠心的著名藝人之一。他從小在系統(tǒng)研習(xí)佛教五部大論的基礎(chǔ)上,拜當(dāng)?shù)刈罹咧南牟枫懂?huà)家嘉j#洛哲為師,開(kāi)始學(xué)習(xí)繪畫(huà)和雕塑,逐漸系統(tǒng)掌握了勉唐、欽則兩大流派的繪畫(huà)和雕塑技藝。正如他自己所言:“以往大師勉拉頓珠尊,當(dāng)今吾姓詹嘉氏;作品之異即拿度量學(xué),甚難分辨非畫(huà)師;文殊化身勉氏尊,流派傳承非我誰(shuí)”等,從中足以管窺他的藝術(shù)造詣和專業(yè)自信。噶如班智達(dá)·洛桑西繞的壁畫(huà)作品不僅在熱貢年都乎寺、郭麻日寺有所保留,其唐卡作品還廣泛流傳于甘肅拉卜楞寺、青海扎西齊寺、隆務(wù)寺、葉雄寺、文都大寺、拉莫寺等寺廟。特別值得一提的是,上師嘉j#洛哲所講述的《米札百像概論·金剛乘釋難寶鏡》一書(shū),最初由噶如班智達(dá)·洛桑西繞整理公開(kāi)刊布后受到了第七世達(dá)賴?yán)锔裆＜未氲母叨惹嗖A,并命人按其著述修建了布達(dá)拉宮立體壇城殿內(nèi)的勝樂(lè)、密集、大威德三尊金銅立體壇城。直至今日我們?nèi)阅軓那敗⒛甓己�、郭麻日、尕薩日等地的繪畫(huà)、雕塑作品上窺見(jiàn)他的繪畫(huà)風(fēng)格,噶如班智達(dá)·洛桑西繞精巧的繪畫(huà)、雕塑手藝對(duì)后輩熱貢藝術(shù)的發(fā)展產(chǎn)生了深遠(yuǎn)的影響。這篇拙文從熱貢藝術(shù)史的歷史概括入手,簡(jiǎn)述噶如班智達(dá)·洛桑西繞的師父嘉j#洛哲和前世葉雄活佛且巴仁波且·丹貝堅(jiān)贊兩位大師的工藝學(xué)作為,重點(diǎn)收集整理和研究噶如班智達(dá)洛桑西繞為工藝學(xué)的傳承發(fā)展遺留的壁畫(huà)、唐卡,同時(shí),研究分析了當(dāng)時(shí)與噶如班智·達(dá)洛桑西繞有關(guān)聯(lián)的諸位畫(huà)家的手藝真跡和著述。在此基礎(chǔ)上,鑒賞國(guó)內(nèi)外博物館收藏的與噶如班智達(dá)·洛桑西繞藝術(shù)風(fēng)格相同的藝術(shù)品和著作,對(duì)噶如班智達(dá)·洛桑西繞的繪畫(huà)和雕塑藝術(shù)風(fēng)格有了一定的了解。通過(guò)簡(jiǎn)述噶如的繪畫(huà)和雕塑藝術(shù)風(fēng)格,比較噶如親手塑造的欽則畫(huà)派和貢嘎崗朵欽則欽莫南嘉居士?jī)煞N風(fēng)格,由此,盡己所能對(duì)公元十八世紀(jì)興盛于熱貢地區(qū)的美術(shù)風(fēng)格進(jìn)行了研究。
[Abstract]:In 18th century, Garuda Losangsi was a master of Tibetan Buddhist paintings and sculptures in the modern history of the Ando Regong region. On the basis of his systematic study of the five major theories of Buddhism, he began to learn painting and sculpture by worshiping the most famous local painter, JJ # Luo Zhe, as a teacher. He gradually mastered the painting and sculpture techniques of Mian Tang and Qin Zen of two major schools. As he himself said: "in the past, Master Mian Ratton Zhu Zun, my name is Jengjia;" It is very difficult to distinguish the non-painters from the difference of the works, that is, the metrology. Manjusri incarnates Mian's respect, and so on, "and so on," and so on. "it is enough to see his artistic attainments and professional self-confidence. The murals of Kagu Zhida Losansi are not only the monastery in the year of Regon, but the Temple of Guo Ma Ri has some reservations. His Tangka works are also widely spread in Gansu Labran Temple, Qinghai Zaxiqi Temple, Longwu Temple, Ye Xiong Temple, Wendu Temple, Lamo Temple and other temples. The book, "introduction to the Mizapei, King Kong's interpretation Mirror," by JJ # Luo Zhe, was originally arranged by Kali Banjda Losansi, and was highly favored by the 7th Dalai Lama, Gesangatuo. And ordered people to build according to his works of the Potala Palace Tridimensional Tan Temple, dense, three gold and copper grand Wilde three-dimensional cities. To this day, we can still from the Tama, all the years, Guo Ma Day, Gasa Day and other places of painting. In his sculptures, there's a glimpse of his painting style, and Garuda Losansi's exquisite paintings. Sculpture technology has a profound impact on the development of the later generations of the Regong art. This article from the history of the history of Regong art summarized. A brief account of the technological work of the two masters, Kajj# Lodzhe and Ye Xiong, living Buddha and Barenbo and Dembaijian, by Kali Zhi da Lossansei, was briefly described. Focus on the collection of collation and research on Karuzhida Lobsang Xichuan for the inheritance and development of the craft of the legacy of the murals, Tangka, at the same time. The study analyzed the artistry and writings of the painters associated with Karuji Dar Lobsang at the time. On this basis. Appreciate the works of art and works of art in the same style as those of Garuda Losansi in museums at home and abroad. We have a certain understanding of the painting and sculpture styles of Kagyu by outlining the painting and sculpture styles of Kagyu. Comparing the two styles of Kagaru painting school and Gongagang Dauchin Chin Monan Jia Jusi style, the fine arts style that flourished in Jiegong area in 18th century was studied as far as possible.
【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J05

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