以《華夏集》英譯為例看龐德對中國詩歌的誤讀與創(chuàng)新
發(fā)布時間：2020-10-16 19:57
艾茲拉·龐德是意象派詩歌的創(chuàng)始人之一。1925年,龐德出版了漢詩譯作《華夏集》,把歐美現(xiàn)代詩歌接受中國古典詩歌的影響提到了歷史的高度。在東西方文化的交流過程中,異文化之間的誤讀現(xiàn)象總是不可避免的存在著；然而龐德,一改當時盛行的維多利亞詩歌風格,用中國古典詩歌這一截然不同的文學形式與死板只重主觀表達的維多利亞詩歌對抗,達到了創(chuàng)新美國詩歌的效果,讓讀者耳目一新。 本文旨在用《華夏集》來反映龐德的翻譯思想及探究其思想淵源�！度A夏集》擁有特殊的翻譯媒介,翻譯方法和深遠的影響,很好的闡釋了譯者對原文的理解與闡釋不是簡單的復制原文意思,而是要有所創(chuàng)造。本文會以《華夏集》為例,從文體風格,語言及語法,和韻律等方面入手,來分析龐德的誤讀和創(chuàng)新。此外,文章還分析了文化誤讀出現(xiàn)的偶然性和必然性,即有意識誤讀和無意識誤讀,進一步加深對龐德翻譯思想的了解。 在對中國古典詩歌的翻譯中,龐德所運用的創(chuàng)意翻譯法受到了國內外譯評界褒貶不一的評論,但我們應該辯證對待。一方面龐德的《華夏集》推動了美國新詩運動的發(fā)展,極大的促進了西方世界對中國詩歌及中國文化的了解,另一方面誤讀和誤譯不利于跨文化的交流,甚至對源語國家的政治、經濟、文化和意識形態(tài)造成不必要的混亂,中西翻譯文化史都證明了這一點,這些對讀者正確理解異質文化產生負面影響�？偟膩碚f,龐德對中國詩歌的翻譯利弊皆有,但他的創(chuàng)意性要高于他的誤讀效應。
【學位單位】：山東大學
【學位級別】：碩士
【學位年份】：2014
【中圖分類】：H315.9;I046
【文章目錄】：
Abstract
摘要
Chapter One Introduction
1.1 Motivation of the Study
1.2 Objective and Significance of Study
1.3 Structure of the Thesis
Chapter Two Literature Review
2.1 Previous studies on Pound
2.1.1 A Brief Introduction of Ezra Pound
2.1.2 Studies on Ezra Pound in the West
2.1.3 Studies on Ezra Pound in China
2.1.4 Limitations of the Previous Studies
2.2 Previous Studies on Cathay
2.2.1 Brief Introduction of Cathay
2.2.2 Poems Translated in Cathay
2.2.3 Translating Thoughts Applied in Cathay
2.2.3.1 Cathay's Translating Process
2.2.3.2 Pound's Poetic Translation Thoughts
2.2.4 Assessment to Cathay
Chapter Three Cultural Misreading of Chinese Poems in Cathay
3.1 Relevant Studies of Cultural Misreading
3.1.1 Cultural Misreading in Translation
3.1.2 Inevitability of Cultural Misreading
3.2 Misreading in Cathay
3.2.1 Misreading in Form
3.2.2 Misreading in Rhythm
3.2.3 Misreading in Cultural Connotation
3.3 Reasons of Pound's Misreading
3.3.1 Unconscious Misreading
3.3.2 Conscious Misreading
3.4 Views on Pound's Misreading
Chapter Four Creative Translation in Cathay
4.1 Creative Translation
4.2 Creation of Selecting Materials
4.3 Creation in Vocabulary and Grammar
4.3.1 Creation in Vocabulary
4.3.2 Creation in Grammar
4.3.3 Juxtaposition and Superposition of Images
4.4 Creation in Rhythm
4.4.1 Free Verse
4.4.2 Absolute Rhythm
4.5 Other creations
4.6 Views on Pound's Creation
Chapter Five Relationship between Cultural Misreading and CreativeTranslation and Relevant Influence
5.1 Relationship between Cultural Misreading and Creative Translation
5.2 Relevant Influence of Cathay
5.2.1 Negative Influence
5.2.2 Positive Influence
5.2.2.1 Sinomania after Cathay
5.2.2.2 Cathay's Influence upon English Literature
Chapter Six Conclusion
Bibliography
Acknowledgement
List of Published Papers
學位論文評閱及答辯情況表
【參考文獻】
本文編號：2843707
【學位單位】：山東大學
【學位級別】：碩士
【學位年份】：2014
【中圖分類】：H315.9;I046
【文章目錄】：
Abstract
摘要
Chapter One Introduction
1.1 Motivation of the Study
1.2 Objective and Significance of Study
1.3 Structure of the Thesis
Chapter Two Literature Review
2.1 Previous studies on Pound
2.1.1 A Brief Introduction of Ezra Pound
2.1.2 Studies on Ezra Pound in the West
2.1.3 Studies on Ezra Pound in China
2.1.4 Limitations of the Previous Studies
2.2 Previous Studies on Cathay
2.2.1 Brief Introduction of Cathay
2.2.2 Poems Translated in Cathay
2.2.3 Translating Thoughts Applied in Cathay
2.2.3.1 Cathay's Translating Process
2.2.3.2 Pound's Poetic Translation Thoughts
2.2.4 Assessment to Cathay
Chapter Three Cultural Misreading of Chinese Poems in Cathay
3.1 Relevant Studies of Cultural Misreading
3.1.1 Cultural Misreading in Translation
3.1.2 Inevitability of Cultural Misreading
3.2 Misreading in Cathay
3.2.1 Misreading in Form
3.2.2 Misreading in Rhythm
3.2.3 Misreading in Cultural Connotation
3.3 Reasons of Pound's Misreading
3.3.1 Unconscious Misreading
3.3.2 Conscious Misreading
3.4 Views on Pound's Misreading
Chapter Four Creative Translation in Cathay
4.1 Creative Translation
4.2 Creation of Selecting Materials
4.3 Creation in Vocabulary and Grammar
4.3.1 Creation in Vocabulary
4.3.2 Creation in Grammar
4.3.3 Juxtaposition and Superposition of Images
4.4 Creation in Rhythm
4.4.1 Free Verse
4.4.2 Absolute Rhythm
4.5 Other creations
4.6 Views on Pound's Creation
Chapter Five Relationship between Cultural Misreading and CreativeTranslation and Relevant Influence
5.1 Relationship between Cultural Misreading and Creative Translation
5.2 Relevant Influence of Cathay
5.2.1 Negative Influence
5.2.2 Positive Influence
5.2.2.1 Sinomania after Cathay
5.2.2.2 Cathay's Influence upon English Literature
Chapter Six Conclusion
Bibliography
Acknowledgement
List of Published Papers
學位論文評閱及答辯情況表
【參考文獻】
相關期刊論文 前4條
1 劉戈;中國古詩與龐德的實用主義——小議《神州集》[J];解放軍外國語學院學報;2002年06期
2 趙毅衡;為龐德/費諾羅薩一辯[J];詩探索;1994年03期
3 蔣洪新;龐德的《華夏集》探源[J];中國翻譯;2001年01期
4 王貴明;;論龐德的翻譯觀及其中國古典詩歌的創(chuàng)意英譯[J];中國翻譯;2005年06期
本文編號：2843707
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