【摘要】： 伊波利特·丹納(Hippolyte Taine)是藝術(shù)社會學(xué)理論的奠基人,他創(chuàng)造性地把社會學(xué)觀點運用于藝術(shù)史的研究,提出了文學(xué)藝術(shù)的產(chǎn)生與發(fā)展受制于“種族、環(huán)境、時代”三因素的著名理論,并在此基礎(chǔ)上,提出了藝術(shù)本質(zhì)論與藝術(shù)批評標(biāo)準(zhǔn),從而構(gòu)建了藝術(shù)社會學(xué)理論體系。實事求是地講,丹納理論有它自身的缺陷,但時代的變遷,讓丹納的藝術(shù)社會學(xué)理論有了更完善的發(fā)展,在當(dāng)今主張多層次多視角研究藝術(shù)的情況下,丹納理論的基本分析范疇和概念在新的語境中已經(jīng)獲得了新的生命。 本文試圖從丹納藝術(shù)社會學(xué)理論體系構(gòu)架、內(nèi)容、現(xiàn)實意義等視角展開客觀公正、全面深入的研究,力求對丹納理論做一個詳實的梳理。 引言部分簡單介紹國內(nèi)外丹納藝術(shù)社會學(xué)理論的研究成果,并闡述本文的寫作意圖、研究目的及研究方法。 正文根據(jù)丹納理論的內(nèi)容采取點面結(jié)合、史論相融的方法,分別對他的理論體系、三元素說、本質(zhì)論與批評標(biāo)準(zhǔn)進(jìn)行闡述,并全面整合了他的藝術(shù)社會學(xué)理論,結(jié)合二十世紀(jì)以來的哲學(xué)思潮、文藝思潮、文化變遷、揭示了其理論局限與現(xiàn)實意義,指出其理論的重生。 結(jié)語部分總結(jié)全文的整體研究,揭示丹納藝術(shù)社會學(xué)理論的研究價值。
[Abstract]:Hippolyte Dana (Hippolyte Taine) is the founder of the theory of sociology of art. He creatively applies the viewpoint of sociology to the study of the history of art, and points out that the emergence and development of literature and art are restricted by race and environment. On the basis of the famous theory of "three factors of the times", this paper puts forward the theory of artistic essence and the standard of art criticism, and thus constructs the theoretical system of art sociology. Realistically speaking, Dana's theory has its own defects, but the changes of the times have made Dana's theory of art sociology more perfect. In the case of advocating multi-level and multi-angle research on art today, The basic analytical categories and concepts of Dana's theory have gained new life in the new context. This paper attempts to carry out an objective and thorough study from the perspective of Dana's theoretical system of sociology of art, including its structure, content and practical significance, in order to make a detailed and detailed combing of Dana's theory. The introduction briefly introduces the research results of Dana's sociology of art theory at home and abroad, and expounds the writing intention, research purpose and research methods of this paper. According to the content of Dana's theory, the text adopts the method of combining the points and the historical theory, and expounds his theoretical system, the theory of three elements, the theory of essence and the criterion of criticism, and integrates his theory of sociology of art in an all-round way. Combined with the philosophical thoughts, literary trends and cultural changes since the 20th century, this paper reveals its theoretical limitations and practical significance, and points out the rebirth of its theory. The conclusion summarizes the whole research and reveals the research value of Dana's theory of sociology of art.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J0-05

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 欒凱;;中國流行歌曲創(chuàng)作現(xiàn)狀的分析與思考[J];解放軍藝術(shù)學(xué)院學(xué)報;2011年03期

2 王婉婉;;托古改制 追攀魏晉——趙孟，

本文編號：2315789