魯迅與韓國(guó)作家玄鎮(zhèn)健小說(shuō)中新知識(shí)分子形象之比較
發(fā)布時(shí)間：2018-09-03 10:48
【摘要】： 上個(gè)世紀(jì)初20年代的中國(guó)和韓國(guó),魯迅與玄鎮(zhèn)健的短篇小說(shuō)創(chuàng)作都取得了傲人的成績(jī)。特別是他們的農(nóng)民題材與新知識(shí)分子題材小說(shuō)的創(chuàng)作更是貼近了當(dāng)時(shí)的現(xiàn)實(shí)生活,反映了當(dāng)時(shí)的社會(huì)現(xiàn)狀。 兩個(gè)國(guó)家接受“西方現(xiàn)代文明”時(shí),都處在新舊文明交替夾縫中,兩國(guó)新知識(shí)份子們承受著來(lái)自社會(huì)與自身內(nèi)心的多重壓力。社會(huì)扼殺舊思想的叛逆者使他們無(wú)處藏身,而種種挫折又造成了新知識(shí)分子們內(nèi)心的孤獨(dú)。與此同時(shí)也有著那么一部分人披著新文化的外衣做著齷齪的勾當(dāng),也有人僅僅是沉迷于新思想者們的生活形式。 當(dāng)新知識(shí)份子們面對(duì)這種來(lái)自多方面的各種壓力選擇退卻時(shí),退卻又在兩位作家的筆下有著截然不同的演繹。魯迅的筆下新知識(shí)分子們當(dāng)遇到了阻礙時(shí)所選擇的更多的是倒向自己?jiǎn)⒚伤枷氲牧硪幻�。而在玄�?zhèn)健的筆下,新知識(shí)分子們所選擇的卻是以酒色麻痹自己,拒絕與現(xiàn)實(shí)對(duì)面。 在對(duì)魯迅與玄鎮(zhèn)健短篇小說(shuō)中的新知識(shí)分子形象的研究中,我們首先對(duì)兩位作家的家庭背景與社會(huì)歷史背景作了對(duì)比。在比較中韓兩國(guó)新知識(shí)分子的不同追求時(shí),明確了新知識(shí)分子的概念,闡釋了新知識(shí)分子的含義。比較分析了新知識(shí)分子們所承受的來(lái)自外部與內(nèi)部的各種壓力,以及他們?cè)诿鎸?duì)種種壓力時(shí)的不同選擇。從小說(shuō)創(chuàng)作手法上對(duì)兩位作家所采用的敘述手法進(jìn)行研究,從多種敘事視角以及小說(shuō)敘述的聚焦點(diǎn)等方面做了比較。對(duì)兩位作家短篇小說(shuō)創(chuàng)作中,由新知識(shí)分子這一形象所反映出來(lái)的問(wèn)題作了一個(gè)概括性的總結(jié)。 論文旨在通過(guò)上述研究來(lái)揭示兩位作家短篇小說(shuō)創(chuàng)作中,新知識(shí)分子形象塑造的共同性與差異性,研究人物形象塑造與社會(huì)環(huán)境以及作者之間的關(guān)系,希望借此能促進(jìn)中韓比較文學(xué)中新知識(shí)分子形象的比較研究。
[Abstract]:In China and South Korea in the early 1920s, Lu Xun and Hyun-jin-Jian's short-story creation achieved remarkable results. Especially, their novels about peasants and new intellectuals are close to the real life of that time and reflect the current situation of society at that time. When the two countries accepted the "Western modern civilization", they were in the gap between the old and the new civilizations, and the new intellectuals of the two countries were under many pressures from the society and their own hearts. The rebels who strangled the old thought made them nowhere to hide, and the frustrations caused the loneliness of the new intellectuals. At the same time, there are some people dressed in the clothes of the new culture doing dirty activities, others are simply addicted to the new thinkers' life forms. When the new intellectuals choose to retreat in the face of all kinds of pressures from all sides, retreat has a very different interpretation in the works of the two writers. Lu Xun's new intellectuals choose to turn to the other side of their enlightenment thought when they encounter obstacles. In Xuanzhen Jian's writings, the new intellectuals chose to paralyze themselves with alcohol and refused to face reality. In the study of the image of new intellectuals in Lu Xun and Xuanzhen Jian's short stories, we first compare the family background with the social historical background of the two writers. In comparing the different pursuits of the new intellectuals in China and South Korea, this paper clarifies the concept of the new intellectuals and explains the meaning of the new intellectuals. This paper compares and analyzes all kinds of external and internal pressures faced by the new intellectuals and their different choices in the face of all kinds of pressures. This paper makes a study on the narrative techniques adopted by the two writers from the point of view of novel creation, and compares them from various narrative perspectives and the focus of the novel narration. This paper makes a general summary of the problems reflected by the image of the new intellectuals in the creation of short stories by the two writers. The purpose of this paper is to reveal the commonality and difference of the image of the new intellectuals in the short story creation of the two writers, and to study the relationship between the portrayal of the characters and the social environment as well as the author. The author hopes to promote the comparative study of the image of new intellectuals in Chinese and Korean comparative literature.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：I106.4;I0-03
[Abstract]:In China and South Korea in the early 1920s, Lu Xun and Hyun-jin-Jian's short-story creation achieved remarkable results. Especially, their novels about peasants and new intellectuals are close to the real life of that time and reflect the current situation of society at that time. When the two countries accepted the "Western modern civilization", they were in the gap between the old and the new civilizations, and the new intellectuals of the two countries were under many pressures from the society and their own hearts. The rebels who strangled the old thought made them nowhere to hide, and the frustrations caused the loneliness of the new intellectuals. At the same time, there are some people dressed in the clothes of the new culture doing dirty activities, others are simply addicted to the new thinkers' life forms. When the new intellectuals choose to retreat in the face of all kinds of pressures from all sides, retreat has a very different interpretation in the works of the two writers. Lu Xun's new intellectuals choose to turn to the other side of their enlightenment thought when they encounter obstacles. In Xuanzhen Jian's writings, the new intellectuals chose to paralyze themselves with alcohol and refused to face reality. In the study of the image of new intellectuals in Lu Xun and Xuanzhen Jian's short stories, we first compare the family background with the social historical background of the two writers. In comparing the different pursuits of the new intellectuals in China and South Korea, this paper clarifies the concept of the new intellectuals and explains the meaning of the new intellectuals. This paper compares and analyzes all kinds of external and internal pressures faced by the new intellectuals and their different choices in the face of all kinds of pressures. This paper makes a study on the narrative techniques adopted by the two writers from the point of view of novel creation, and compares them from various narrative perspectives and the focus of the novel narration. This paper makes a general summary of the problems reflected by the image of the new intellectuals in the creation of short stories by the two writers. The purpose of this paper is to reveal the commonality and difference of the image of the new intellectuals in the short story creation of the two writers, and to study the relationship between the portrayal of the characters and the social environment as well as the author. The author hopes to promote the comparative study of the image of new intellectuals in Chinese and Korean comparative literature.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：I106.4;I0-03
【共引文獻(xiàn)】
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