【摘要】：本文以楊憲益、霍克斯譯著《紅樓夢(mèng)》為例,從傳播學(xué)視域探討中國(guó)文化走出去與翻譯策略選擇的關(guān)系。指出中國(guó)文化對(duì)外傳播以異化為主的觀點(diǎn)忽視了以美國(guó)為主導(dǎo)的西方國(guó)家和地區(qū)的讀者文化接受能力和立場(chǎng)。認(rèn)為當(dāng)前乃至今后相當(dāng)長(zhǎng)的時(shí)期內(nèi),中國(guó)文化走出去既需中國(guó)譯者偏向異化的譯本,更需國(guó)外漢學(xué)家偏向歸化的譯本,"歸化為主,異化為輔",相輔相成,滿足不同類型讀者之需,切實(shí)推進(jìn)中國(guó)文化走出去。
[Abstract]:Taking Yang Xianyi and Hawkes' translated book A Dream of Red Mansions as an example, this paper explores the relationship between Chinese cultural outreach and the choice of translation strategies from the perspective of communication. The author points out that the foreign communication of Chinese culture is mainly dissimilation and neglects the readers' cultural acceptance ability and position in the western countries and regions dominated by the United States. At present and in a long period in the future, it is considered that the Chinese culture needs both the translation of Chinese translators' preference for alienation and that of foreign sinologists' preference for domestication. "Naturalization is the priority, and alienation is secondary", which complement each other. To meet the needs of different types of readers and promote Chinese culture to go out.
【作者單位】： 華東師范大學(xué)外語(yǔ)學(xué)院;河池學(xué)院外語(yǔ)學(xué)院;
【分類號(hào)】：H315.9;I046

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5 徐s，

本文編號(hào)：2217659