【摘要】： “形式”概念是涉及到藝術(shù)本質(zhì)的重要概念,形式作為藝術(shù)中形成非功利性特質(zhì)的因素,被認(rèn)為是藝術(shù)之本。傳統(tǒng)對于形式的研究多從藝術(shù)語言、表現(xiàn)技巧的角度關(guān)注藝術(shù)的結(jié)構(gòu)問題�？梢哉f基本上屬于技術(shù)問題。然而作為具有超越和解放性本質(zhì)的藝術(shù),其內(nèi)部的單純形式因素并不足以構(gòu)成與現(xiàn)實維度相對抗的審美維度。審美性問題不能簡單地歸到對藝術(shù)語言、技巧的探討領(lǐng)域當(dāng)中,而需要將眼光重新回歸于社會歷史功利性內(nèi)容當(dāng)中去。因此我們更多地是從藝術(shù)作為“審美形式”這一藝術(shù)哲學(xué)的本體論層面來運(yùn)用“形式”這個概念。審美形式是一個范疇,是包括了從現(xiàn)實中被抽象提取的功利性內(nèi)容在內(nèi)、又最終超越于它的一個自足完整的具有自身理性規(guī)則的形象體系。形式成為一種思維,一種存在。我們所采取的是多學(xué)科交融和多角度審視的方法來打破舊有的觀照形式的條框,使得形式問題不僅僅是一個純藝術(shù)的問題,而且成為構(gòu)成本體論問題的一部分。
[Abstract]:The concept of "form" is an important concept related to the essence of art. As a factor of non-utilitarian character in art, form is regarded as the foundation of art. Traditional studies on form focus on the structure of art from the point of view of artistic language and performance skills. Can say basically belong to technical problem. However, as a transcendental and liberating nature of art, its internal pure form factor is not enough to form an aesthetic dimension that confronts the realistic dimension. Aesthetic problems can not simply be classified into the field of artistic language and skills, but need to return to the social and historical utilitarian content. Therefore, we use the concept of "form" more from the ontological aspect of art philosophy as "aesthetic form". Aesthetic form is a category, including the utilitarian content abstracted from reality, and finally transcends it a self-sufficient and complete image system with its own rational rules. Form becomes a kind of thinking, a kind of existence. We adopt a multi-disciplinary and multi-angle approach to break the old frame of the form of reflection, so that the formal problem is not only a purely artistic problem, but also a part of the ontological problem.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J01

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王麗華;;黑色幽默的藝術(shù)特點及對中國文學(xué)的影響[J];邊疆經(jīng)濟(jì)與文化;2012年05期

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