哈爾濱娛樂觀賞的變遷研究
發(fā)布時(shí)間：2018-07-16 13:49
【摘要】： 哈爾濱的娛樂觀賞在二十世紀(jì)早期,經(jīng)歷了一個(gè)從傳統(tǒng)觀賞模式向現(xiàn)代型觀賞模式轉(zhuǎn)換的過程。這是其移民城市的身份和外來文化影響,共同作用的結(jié)果。其突出的內(nèi)在表現(xiàn)就是在娛樂觀賞中,不斷激發(fā)的群體意識(shí)和不斷強(qiáng)化的身體注視過程。這種變遷的外在表現(xiàn)為,哈爾濱城市生活中,娛樂觀賞的多元化和時(shí)尚傾向。 一方面,由于所處地理位置的特殊性,哈爾濱傳統(tǒng)的觀賞帶有濃厚的關(guān)東文化特色。并且由于關(guān)內(nèi)閑散移民所帶來的文化娛樂影響,帶有中原文化痕跡。然而,由于娛樂在中國(guó)傳統(tǒng)社會(huì)中的地位,只是一種附屬形式的社會(huì)活動(dòng),帶有很大的偶然性和隨機(jī)性,因此,并沒有成為一種獨(dú)立的生活方式。這一時(shí)期傳統(tǒng)型的娛樂觀賞,主要是個(gè)關(guān)內(nèi)移民文化影響下的,觀賞空間不固定的,觀賞注視方式隨意的,沒有很強(qiáng)的群體自覺意識(shí)的,某些歲時(shí)節(jié)慶活動(dòng)的衍生物。另一方面,中東鐵路的修建,使俄僑娛樂觀賞活動(dòng)逐漸進(jìn)入哈爾濱,并且?guī)砹爽F(xiàn)代性因素,雖然此時(shí)的俄僑娛樂觀賞活動(dòng)仍然只是處于初期階段。 隨著中東鐵路的建成通車,以及哈爾濱隨后的開埠通商,再到十月革命后,大量白俄的進(jìn)入,哈爾濱的文化娛樂觀賞,得到了良好的發(fā)展。中原戲曲、西洋音樂以及新興起的電影等觀賞活動(dòng),在哈爾濱蓬勃興盛。隨之而來的是,一些現(xiàn)代性的觀賞元素的引入和發(fā)展。 首先是大規(guī)模的劇場(chǎng)化,以及觀賞演出的場(chǎng)所越來越專業(yè)化。在南崗和道里地區(qū)的各種俱樂部的演出舞臺(tái)上,經(jīng)常上演專業(yè)化的西洋音樂會(huì)。在道外地區(qū),隨著二十年代左右茶園、舞臺(tái)建設(shè)熱情的高漲,一大批專門演出中國(guó)出同戲曲的專業(yè)演出場(chǎng)所興盛起來。無論在南崗、道里還是道外,電影作為一種新奇的娛樂觀賞形式,都產(chǎn)生了轟動(dòng)的社會(huì)效果。據(jù)統(tǒng)計(jì),在當(dāng)時(shí)的哈爾濱曾經(jīng)存在64個(gè)電影放映場(chǎng)所。其中13個(gè)是具有規(guī)模的固定長(zhǎng)期影院。 其次是觀賞對(duì)身體注視要求的強(qiáng)化。西洋音樂會(huì)對(duì)觀賞時(shí)間的嚴(yán)格要求,可以視為哈爾濱現(xiàn)代觀賞標(biāo)準(zhǔn)產(chǎn)生的濫觴。隨著中原戲曲演出在哈爾濱的水平和檔次越來越高,傳統(tǒng)戲曲的吸引力,也使觀賞時(shí)候的身體控制日趨嚴(yán)格。當(dāng)哈爾濱的電影放映業(yè),跟隨著世界發(fā)展的腳步,逐漸擺脫了早期的雜耍性質(zhì),內(nèi)容日趨嚴(yán)肅的時(shí)候,電影放映時(shí)候的觀賞對(duì)注視和身體控制的嚴(yán)格,成為最具現(xiàn)代意義的事件。 最后在這一系列的交融與演變后,現(xiàn)代人所具有的觀賞群體社會(huì)共識(shí)性存在產(chǎn)生了。觀賞群體共識(shí)性存在的基礎(chǔ),是對(duì)觀賞內(nèi)容的選擇的認(rèn)同。當(dāng)哈爾濱西洋音樂演出日趨高雅與精湛,并最終走出哈爾濱到全國(guó)甚至全球演出的時(shí)候,哈爾濱地區(qū)的傳統(tǒng)戲曲演出也在發(fā)展壯大。演出中現(xiàn)代化的舞臺(tái)裝飾和新的大型表演節(jié)目日漸增多。同時(shí)反映現(xiàn)代人生活的劇目被創(chuàng)作演出。最具有現(xiàn)實(shí)意義的是電影節(jié)目的社會(huì)性。很多表現(xiàn)當(dāng)時(shí)人們生活原貌和理想的電影影片被放映,并且受到歡迎。 我在研究中,嘗試著將娛樂觀賞活動(dòng),分為四個(gè)組成部分：觀眾、劇場(chǎng)、觀賞規(guī)范及節(jié)目?jī)?nèi)容。這四個(gè)部分產(chǎn)生了三個(gè)行動(dòng)產(chǎn)物：選擇性策略行動(dòng)、接受性策略行動(dòng)及共識(shí)性存在。在我所做的社會(huì)學(xué)研究中,認(rèn)為不同階段的策略行動(dòng)變化,導(dǎo)致了新的群體共識(shí)產(chǎn)生并確定存在。這樣就將過程分析與結(jié)構(gòu)組成結(jié)合起來。 通過對(duì)觀賞策略性行動(dòng)和觀賞共識(shí)性存在的分析,本研究就不再僅僅是一種社會(huì)變遷的描述與解釋,而進(jìn)入一種理論探討的嘗試。該嘗試的目的,是對(duì)當(dāng)代哈爾濱娛樂觀賞結(jié)構(gòu)的延續(xù)與變遷,進(jìn)行回溯性的考察。結(jié)論是哈爾濱娛樂觀賞的現(xiàn)代性變遷,產(chǎn)生并形成于二十世紀(jì)二十代。其影響的結(jié)果,是當(dāng)今哈爾濱城市娛樂觀賞文化的特色表現(xiàn)。
[Abstract]:In the early twentieth Century, the entertainment of Harbin experienced a process from the traditional ornamental pattern to the modern ornamental pattern. This was the result of the identity of the immigrant city and the influence of the foreign culture, the result of the common effect. Its outstanding internal performance was the uninterrupted group consciousness and the continuous strengthening of the body in the entertainment and ornamental. The external manifestation of this change is the diversity and fashion tendency of entertainment and viewing in Harbin's urban life.
On the one hand, because of the special geographical position, the traditional ornamental of Harbin has a strong cultural characteristic of the Guandong. And it has the cultural and entertainment influence caused by the idleness of the immigrant in Guan Zhong, with the cultural trace of the Central Plains. However, because of the status of entertainment in the traditional Chinese society, it is only a kind of subsidiary social activity, which is very big. By chance and randomness, it has not become an independent way of life. The traditional entertainment and ornamental in this period, mainly under the influence of the immigrant culture in the Guan - Guan, the ornamental space is not fixed, the ornamental gaze is casual, there is no strong sense of group consciousness, the derivatives of some year's festival celebrating activities. On the other hand, the Middle East The construction of the railway has made the recreational and ornamental activities of the Russian overseas Chinese entering Harbin gradually, and brought the modernity factor, although the entertainment and ornamental activities of the Russian overseas Chinese are still in the early stage.
With the completion of the railway in the Middle East, and the subsequent opening of the port in Harbin, after the October revolution, a large number of White Russian entered and Harbin's cultural and entertainment viewing has developed well. The Central Plains opera, the western music and the emerging films are flourishing in Harbin. The introduction and development of ornamental elements.
First of all, the theaters of large scale, and the venues for the ornamental performances are becoming more and more specialized. On the stage of various clubs in Nangang and dowli, professional Western concerts are often performed. In the outside world, with the tea garden in 20s, the enthusiasm of the stage is rising, and a large number of special performances are dedicated to the Chinese opera. As a new form of entertainment and ornamental in Nangang, in the form of entertainment, the movie has a sensational social effect. According to statistics, there were 64 movie theaters in Harbin at that time. 13 of them were fixed and long-term theaters of large scale.
The second is the strengthening of the viewing requirements of the body. The strict requirements of the Western concert on the viewing time can be regarded as the origin of the modern ornamental standard in Harbin. With the higher level and grade of the performance of the Central Plains opera in Harbin, the attraction of traditional opera is becoming more and more strict. As Harbin, the traditional opera is becoming more and more strict. Film screenings, following the footsteps of the world's development, gradually get rid of the early juggling nature, and when the content is becoming more serious, the watch and body control of the movie show time is the most modern event.
Finally, after the integration and evolution of this series, the social consensus of the ornamental group has come into being. The basis for the existence of the consensus of the ornamental group is the identification of the choice of the ornamental content. When the Harbin western music performance is becoming more and more elegant and exquisite, and finally comes out of Harbin to the national even global performance, The traditional opera performance in the region is also growing. The modern stage decoration and the new large performance show are increasing. At the same time, the repertoire of modern people's life is shown. The most realistic is the sociality of the film program. Many film films showing the original and ideal life of the people at that time are shown. And welcome.
In my study, I tried to divide recreational activities into four components: audience, theater, spectator and program content. These four parts produced three action products: selective strategy action, receptive strategy action and consensus existence. In the sociological study I do, the change of strategy action at different stages is considered. This leads to the emergence and confirmation of new group consensus, which combines process analysis with structural composition.
This study is no longer only a kind of description and interpretation of social change, but an attempt at a theoretical discussion. The purpose of this attempt is to review the continuation and change of the contemporary entertainment and ornamental structure in Harbin, and the conclusion is the entertainment and ornamental of Harbin. The change of modernity came into being and formed in the twenty generation of twentieth Century. The result of its influence is the characteristics of Harbin's urban entertainment culture.
【學(xué)位授予單位】：黑龍江省社會(huì)科學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J120.9
本文編號(hào)：2126587
[Abstract]:In the early twentieth Century, the entertainment of Harbin experienced a process from the traditional ornamental pattern to the modern ornamental pattern. This was the result of the identity of the immigrant city and the influence of the foreign culture, the result of the common effect. Its outstanding internal performance was the uninterrupted group consciousness and the continuous strengthening of the body in the entertainment and ornamental. The external manifestation of this change is the diversity and fashion tendency of entertainment and viewing in Harbin's urban life.
On the one hand, because of the special geographical position, the traditional ornamental of Harbin has a strong cultural characteristic of the Guandong. And it has the cultural and entertainment influence caused by the idleness of the immigrant in Guan Zhong, with the cultural trace of the Central Plains. However, because of the status of entertainment in the traditional Chinese society, it is only a kind of subsidiary social activity, which is very big. By chance and randomness, it has not become an independent way of life. The traditional entertainment and ornamental in this period, mainly under the influence of the immigrant culture in the Guan - Guan, the ornamental space is not fixed, the ornamental gaze is casual, there is no strong sense of group consciousness, the derivatives of some year's festival celebrating activities. On the other hand, the Middle East The construction of the railway has made the recreational and ornamental activities of the Russian overseas Chinese entering Harbin gradually, and brought the modernity factor, although the entertainment and ornamental activities of the Russian overseas Chinese are still in the early stage.
With the completion of the railway in the Middle East, and the subsequent opening of the port in Harbin, after the October revolution, a large number of White Russian entered and Harbin's cultural and entertainment viewing has developed well. The Central Plains opera, the western music and the emerging films are flourishing in Harbin. The introduction and development of ornamental elements.
First of all, the theaters of large scale, and the venues for the ornamental performances are becoming more and more specialized. On the stage of various clubs in Nangang and dowli, professional Western concerts are often performed. In the outside world, with the tea garden in 20s, the enthusiasm of the stage is rising, and a large number of special performances are dedicated to the Chinese opera. As a new form of entertainment and ornamental in Nangang, in the form of entertainment, the movie has a sensational social effect. According to statistics, there were 64 movie theaters in Harbin at that time. 13 of them were fixed and long-term theaters of large scale.
The second is the strengthening of the viewing requirements of the body. The strict requirements of the Western concert on the viewing time can be regarded as the origin of the modern ornamental standard in Harbin. With the higher level and grade of the performance of the Central Plains opera in Harbin, the attraction of traditional opera is becoming more and more strict. As Harbin, the traditional opera is becoming more and more strict. Film screenings, following the footsteps of the world's development, gradually get rid of the early juggling nature, and when the content is becoming more serious, the watch and body control of the movie show time is the most modern event.
Finally, after the integration and evolution of this series, the social consensus of the ornamental group has come into being. The basis for the existence of the consensus of the ornamental group is the identification of the choice of the ornamental content. When the Harbin western music performance is becoming more and more elegant and exquisite, and finally comes out of Harbin to the national even global performance, The traditional opera performance in the region is also growing. The modern stage decoration and the new large performance show are increasing. At the same time, the repertoire of modern people's life is shown. The most realistic is the sociality of the film program. Many film films showing the original and ideal life of the people at that time are shown. And welcome.
In my study, I tried to divide recreational activities into four components: audience, theater, spectator and program content. These four parts produced three action products: selective strategy action, receptive strategy action and consensus existence. In the sociological study I do, the change of strategy action at different stages is considered. This leads to the emergence and confirmation of new group consensus, which combines process analysis with structural composition.
This study is no longer only a kind of description and interpretation of social change, but an attempt at a theoretical discussion. The purpose of this attempt is to review the continuation and change of the contemporary entertainment and ornamental structure in Harbin, and the conclusion is the entertainment and ornamental of Harbin. The change of modernity came into being and formed in the twenty generation of twentieth Century. The result of its influence is the characteristics of Harbin's urban entertainment culture.
【學(xué)位授予單位】：黑龍江省社會(huì)科學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J120.9
【參考文獻(xiàn)】
相關(guān)期刊論文 前6條
1 費(fèi)孝通;文化自覺 和而不同——在“二十一世紀(jì)人類的生存與發(fā)展國(guó)際人類學(xué)學(xué)術(shù)研討會(huì)”上的演講[J];民俗研究;2000年03期
2 汪朝光;20世紀(jì)初葉電影在東北邊陲之興——哈爾濱早期電影市場(chǎng)研究[J];南京大學(xué)學(xué)報(bào)(哲學(xué).人文科學(xué).社會(huì)科學(xué)版);2004年03期
3 楊念群;“蘭安生模式”與民國(guó)初年北京生死控制空間的轉(zhuǎn)換[J];社會(huì)學(xué)研究;1999年04期
4 楊念群;;“在地化”研究的得失與中國(guó)社會(huì)史發(fā)展的前景[J];天津社會(huì)科學(xué);2007年01期
5 扶小蘭;電影與近代中國(guó)城市市民生活的變化[J];西南交通大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2001年02期
6 扶小蘭;近代中國(guó)社會(huì)教育與城市早期現(xiàn)代化研究[J];西南交通大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2005年03期
，本文編號(hào)：2126587
本文鏈接：http://sikaile.net/wenyilunwen/wenxuell/2126587.html
教材專著
