【摘要】：正在我國(guó)古代美術(shù)發(fā)展史上很難見(jiàn)到人體繪畫(huà)藝術(shù),這與我國(guó)傳統(tǒng)文化有著密切的關(guān)系。幾千年來(lái)的封建思想與封建土壤無(wú)法孕育人體藝術(shù)之花。直到1912年11月,著名海歸畫(huà)家劉海粟創(chuàng)辦了我國(guó)第一所美術(shù)�？茖W(xué)�！虾D畫(huà)美術(shù)學(xué)院,將人體模特第一次帶到畫(huà)室,才開(kāi)創(chuàng)了中國(guó)人體藝術(shù)的先河。1917年,他因選用人體模特與展出人體素描,引起了軒然大波而轟動(dòng)中國(guó)。這場(chǎng)人體藝術(shù)風(fēng)波劉海粟經(jīng)歷了連續(xù)十年之久,才使人體模特與裸體藝術(shù)在我國(guó)站住了腳跟。
[Abstract]:It is very difficult to see human painting art in the history of ancient Chinese fine arts, which is closely related to Chinese traditional culture. Thousands of years of feudal thought and feudal soil can not give birth to the flower of human art. It was not until November 1912, when Liu Haisu, the famous returned overseas painter, founded the Shanghai Academy of Picture and Fine Arts, the first school of fine arts in China, that the mannequin was brought to the studio for the first time. His choice of mannequins and the display of body sketches caused a stir in China. This human body art storm Liu Haisu has experienced for ten years before making the mannequin and nude art stand in our country.
【作者單位】： 安徽工程大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J5-5

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