本文選題：蛇女 + 女媧　； 參考：《對外經(jīng)濟(jì)貿(mào)易大學(xué)》2006年碩士論文

【摘要】：中日兩國文學(xué)中都存在著“蛇女”這一獨(dú)特的形象,且二者之間有一定的聯(lián)系又各具特色。本文主要通過探討了兩國蛇女形象成因及發(fā)展趨勢的異同來揭示地理環(huán)境對兩國蛇女形象的成因的影響以及社會發(fā)展進(jìn)程對蛇女形象發(fā)展趨勢的影響。 本文首先介紹梳理中日兩國關(guān)于蛇女這一課題的既有研究成果和研究的特點(diǎn),這一課題提供一個文化的背景。然后介紹了中國文學(xué)中的主要蛇女形象。分別是女媧、白娘子、小青及其它傳說中的蛇女形象。日本的蛇女形象主要集中在為良的八荒、道成寺傳說、慈母的眼淚、奧瑪璐傳說、蛇性之淫這五個傳說大系中。 中日文學(xué)中蛇女形象的比較是本文的重點(diǎn)。筆者首先比較了兩國蛇女形象的成因。人類文化早期,各民族之間不乏相同的文化因子,而古代中國和日本都是以蛇為圖騰的民族,蛇與女性的結(jié)合形成了蛇女形象。然而女媧是創(chuàng)世女神,肥長比賣卻慘遭愛人拋棄。可見日本在蛇女這一形象的理解上與中國是有出入的。筆者認(rèn)為日本是個島國,四面環(huán)海,在靠海生存的民族中對代表水神的蛇的恐怖和敬畏超越了對其生殖象征的崇拜。其次對中日蛇女形象發(fā)展趨勢進(jìn)行了比較。中國的蛇女形象發(fā)展經(jīng)歷了三個階段:1、蛇神;2蛇妖;3人。而日本的蛇女發(fā)展僅經(jīng)歷了兩個階段,即蛇神、蛇精階段。這與兩國封建社會延續(xù)時間的長短及結(jié)束方式不無聯(lián)系。再次,比較了白娘子與真女兒。日本作家上田秋成的《蛇性之淫》是對馮夢龍《白娘子永鎮(zhèn)雷鋒塔》的翻案,兩者在結(jié)構(gòu)上有著諸多相似之處,但卻存在著本質(zhì)上的不同�！栋啄镒佑梨�(zhèn)雷鋒塔》的主旨在于勸導(dǎo)世人戒色,《蛇性之淫》增加了女性怨魂向男性報復(fù)的主題,反應(yīng)了日本女性在現(xiàn)實生活中的卑下地位。
[Abstract]:There is a unique image of "Snake Girl" in both Chinese and Japanese literature, and there are certain connections between the two. This article mainly discusses the similarities and differences of the causes and development trends of the image of the snake and women in the two countries to reveal the influence of geographical environment on the causes of the image of the snake and women of the two countries and the development of the social development process on the image of the Snake Girl. The influence of the potential.
This paper first introduces the achievements and characteristics of the research and Research on the subject of Chinese and Japanese snakes. This topic provides a cultural background. Then it introduces the main image of the snake women in Chinese literature. They are Nu Wa, white lady, Xiaoqing and other legendary snake images. The good eight wastes, the Dao Cheng Temple legend, the tears of the loving mother, the legend of omalu, the five legends of snake sex.
The comparison of the image of the snake and women in the Chinese and Japanese literature is the focus of this article. First, the author compares the causes of the image of the snake and women in the two countries. In the early days of the human culture, there were no lack of the same cultural factors among the ethnic groups, while the ancient China and Japan were all the snakes as a totem, and the snake and the women formed the Snake Girl image. The author thinks that Japan is an island country, all around the sea, the horror and awe of the snakes representing the water god surpass the worship of their reproductive symbols in the nation living on the sea. Secondly, the trend of the development of the image of the Chinese and Japanese snake women is compared. The development of the image of the Chinese Snake Girl experienced three stages: 1, the snake god, the 2 snake demon and the 3. And the development of the snakes in Japan only experienced two stages, that is, the snake god and the serpent stage. This is closely related to the length and the end way of the continuation time of the feudal society of the two countries. There are many similarities in the structure of the Feng Menglong pagoda of Lei Feng pagoda of white maidson and Yong Town, but there are many differences in their structure. The theme of "Lei Feng pagoda" in white maiden and Yong Town is to persuade the world to give up the color, "the prostitution of the snake", which increases the theme of the female revenge to the male, and reacts the humble position of the Japanese women in the real life.
【學(xué)位授予單位】：對外經(jīng)濟(jì)貿(mào)易大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：I0-03;I106.7

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 桑鳳平;俞海萌;;試論中日古典怪誕小說的“同途殊歸”——《蛇性之淫》與《白娘子永鎮(zhèn)雷峰塔》人物形象對比分析[J];語言與文化研究;2009年00期

相關(guān)碩士學(xué)位論文 前2條

1 王雪晨;唐前婚戀小說中的男性形象研究[D];延邊大學(xué);2011年

2 李賓賓;人的異化和反思[D];暨南大學(xué);2012年

，

本文編號：2106091