本文選題：觀念 + 媒材　； 參考：《華中師范大學》2008年碩士論文

【摘要】： 中國當代藝術是受到西方現(xiàn)代藝術和后現(xiàn)代藝術影響而產(chǎn)生的,是一種具有很強實驗性的藝術現(xiàn)象,它帶來了中國藝術史上前所未有的藝術觀念和媒材的實驗與創(chuàng)新。這種迅速發(fā)展的趨勢正是中國藝術家大膽探索和進行大量的藝術實驗并不斷挑戰(zhàn)和超越中國傳統(tǒng)藝術所促成的。中國當代藝術家在進行了大量的藝術實驗之后,使中國的當代藝術領域呈現(xiàn)出一種空前的自由狀態(tài),藝術的類型得到了拓展,藝術創(chuàng)作的資源得到了擴充,傳統(tǒng)意義上的中國美術已經(jīng)面目全非。這些實驗性藝術引起了人們的廣泛關注,也引發(fā)了很多的爭議。它們不斷地挑戰(zhàn)藝術的邊界,挑戰(zhàn)中西方的文化,挑戰(zhàn)著法律和道德標準。 本論文分為四個部分,第一部分論述中國實驗性藝術現(xiàn)象產(chǎn)生的淵源和現(xiàn)狀,首先介紹淵源,受到20世紀西方藝術的影響,其次論述實驗性藝術大致經(jīng)歷了三個階段,第一個階段是簡單模仿西方現(xiàn)代藝術,第二個階段是進行本土化的當代藝術實驗,第三個階段是融入全球化語境。本文第二部分論述觀念的實驗拓展了藝術的類型,從而使得中國當代藝術具有了多元化的趨勢,成為國際當代藝術的一個重要分支。這部分分別從繪畫、觀念攝影、行為藝術、裝置藝術、新媒體藝術來展開論述。隨著觀念的變革,媒材也發(fā)生了變革。第三部分論述媒材的實驗,媒材呈現(xiàn)出了一種多樣性,擴充了藝術創(chuàng)作的資源。第四部分是結論部分,本人對中國當代藝術的實驗性進行了簡單的總結。
[Abstract]:Chinese contemporary art is influenced by western modern art and postmodern art. It is a very strong experimental art phenomenon. It brings unprecedented artistic ideas and media experiments and innovations in the history of Chinese art. This rapid development is the result of Chinese artists exploring and conducting a large number of artistic experiments and constantly challenging and surpassing Chinese traditional art. After a large number of artistic experiments, Chinese contemporary artists have shown an unprecedented state of freedom in the field of contemporary art, the types of art have been expanded, and the resources for artistic creation have been expanded. In the traditional sense of Chinese art has been completely changed. These experimental arts have aroused widespread concern, but also caused a lot of controversy. They constantly challenge the boundaries of art, Chinese and Western cultures, and legal and moral standards. This paper is divided into four parts. The first part discusses the origin and present situation of the experimental art phenomenon in China. Firstly, it introduces the origin, influenced by the western art in the 20th century, and then discusses that the experimental art has experienced three stages. The first stage is the simple imitation of western modern art, the second stage is the experiment of local contemporary art, the third stage is the integration of globalization context. The second part of this paper discusses that the experiment of concept has expanded the types of art, thus making Chinese contemporary art have a diversified trend and become an important branch of international contemporary art. This part from the painting, concept photography, behavior art, installation art, new media art to begin to discuss. With the change of concept, the medium has also changed. The third part discusses the experiment of media, which presents a variety and expands the resources of artistic creation. The fourth part is the conclusion part, I have carried on the simple summary to the Chinese contemporary art experiment.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J120.9

【引證文獻】

相關碩士學位論文 前2條

1 陳冰冰;無墻的美術館[D];北京服裝學院;2012年

2 邱愛艷;刺繡在當代藝術設計中的運用及其語言轉換研究[D];中央美術學院;2013年

，

本文編號：2099669