本文選題：大眾傳媒 + 當(dāng)代文學(xué)�。� 參考：《南京師范大學(xué)》2007年碩士論文

【摘要】： 隨著現(xiàn)代傳媒技術(shù)的不斷發(fā)展，傳播手段的不斷更新以及傳播形態(tài)的日益豐富，大眾傳媒幾乎時(shí)時(shí)刻刻都在影響著人們生活的方方面面。與傳媒的發(fā)展相適應(yīng)，當(dāng)代文學(xué)的角色定位也完成了從精英化的意識形態(tài)向大眾化的表達(dá)方式的轉(zhuǎn)變，而文學(xué)從“廟堂之高”到“江湖之遠(yuǎn)”，并進(jìn)一步“飛入尋常百姓家”的大眾化進(jìn)程絕對可以說是大眾傳媒為當(dāng)代社會(huì)帶來的福音之一。當(dāng)然另一方面，文學(xué)與傳媒的緊密結(jié)合也使得當(dāng)代文學(xué)的每一步發(fā)展都離不開大眾傳媒的介入與運(yùn)作，而這種媒體化的操作又引發(fā)了文學(xué)的庸俗媚俗、市場化、商業(yè)化等系列惡果。特別是九十年代以來，，面對文學(xué)日漸沒落，日益喪失其原有的高貴地位和高尚品格的現(xiàn)狀，某些悲觀人士甚至發(fā)出“文學(xué)已死”的一聲長嘆，并將責(zé)任歸咎于大眾傳媒在掌握了文化領(lǐng)導(dǎo)權(quán)以后格調(diào)低下的狂轟亂炸。 本文首先在理論上闡述了“大眾傳媒與當(dāng)代文學(xué)的關(guān)系”，即傳媒在文學(xué)中的作用已經(jīng)從外在的傳輸渠道內(nèi)化為文學(xué)本身重要的構(gòu)成維度之一，故而當(dāng)代文學(xué)必然呈現(xiàn)某些與以往文學(xué)截然不同的特質(zhì)，這是當(dāng)代文學(xué)發(fā)展的必然結(jié)果；其次，從實(shí)證研究的角度通過大量的事實(shí)列舉結(jié)合現(xiàn)狀分析，按照媒介類型的不同分別闡述了影視傳媒及網(wǎng)絡(luò)傳媒給文學(xué)帶來的沖擊，這種沖擊既擴(kuò)展了文學(xué)的內(nèi)涵和外延，也刺激了新的文學(xué)樣式的產(chǎn)生；最后從反面消解與正面重塑兩方面綜合分析大眾傳媒對當(dāng)代文學(xué)的影響，在此基礎(chǔ)上，得出本文結(jié)論：當(dāng)代文學(xué)在面對大眾媒介時(shí)所發(fā)生的種種變革之舉，從表面上看是文學(xué)的“妥協(xié)”與“退讓”甚至“失守”，但從整個(gè)社會(huì)系統(tǒng)和長遠(yuǎn)歷史發(fā)展來看的話，文學(xué)的這一系列改變，恰恰折射出了當(dāng)下的時(shí)代特征和社會(huì)面貌，以及在這樣的時(shí)代和社會(huì)中的世事萬象、人生百態(tài)。所以從這個(gè)意義上說，文學(xué)的變化，更應(yīng)該被看作是一種“改良”，而不應(yīng)被簡單粗暴地界定為“死亡”。
[Abstract]:With the continuous development of modern media technology, the continuous updating of the means of communication and the increasingly rich form of communication, mass media almost always affect all aspects of people's life. In line with the development of the media, the role orientation of contemporary literature has also completed the transformation from elite ideology to popular expression, and literature has changed from "the height of temple and hall" to "the distance between rivers and lakes". The popular process of flying into the common people's homes is definitely one of the good news brought by the mass media to the contemporary society. On the other hand, the close combination of literature and media also makes every step of the development of contemporary literature inseparable from the intervention and operation of mass media. Commercial and other series of adverse consequences. Especially since the 1990s, in the face of the gradual decline of literature and the loss of its original noble status and noble character, some pessimistic people have even issued a long sigh that "literature is dead." And blame the mass media after mastering the cultural leadership. At first, this paper theoretically expounds the relationship between mass media and contemporary literature, that is, the role of mass media in literature has been internalized from external transmission channels to one of the important dimensions of literature itself. Therefore, contemporary literature inevitably presents some characteristics that are completely different from previous literature, which is the inevitable result of the development of contemporary literature. Secondly, from the perspective of empirical research, it combines the current situation with a large number of facts. According to the different types of media, this paper expounds the impact of film and television media and network media on literature, which not only expands the connotation and extension of literature, but also stimulates the emergence of new literary styles. Finally, this paper analyzes the influence of mass media on contemporary literature from two aspects of negative deconstruction and positive remodeling. On this basis, this paper draws a conclusion: contemporary literature in the face of mass media in the face of a variety of changes. On the surface, it is "compromise" and "concession" or even "failure" of literature, but from the point of view of the whole social system and long-term historical development, this series of changes in literature precisely reflects the characteristics of the present era and the social outlook. And in such an era and society in the world of all things, life in a variety of states. So in this sense, the change of literature should be regarded as a kind of "improvement" rather than simply and rudely defined as "death".
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：I0-05;G206

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 李儒俊;;傳媒嬗變對文藝傳播的影響[J];電影文學(xué);2007年23期

2 孫銘鐳;;文學(xué)作品影視化對當(dāng)代文學(xué)創(chuàng)作的影響[J];華章;2011年26期

3 孫銘;;文學(xué)作品影視化對當(dāng)代文學(xué)創(chuàng)作的影響[J];黑龍江科技信息;2011年28期

相關(guān)碩士學(xué)位論文 前3條

1 李丹丹;文學(xué)與影視的藝術(shù)生產(chǎn)—再生產(chǎn)方式研究[D];廣西師范大學(xué);2011年

2 田冬錦;從“華語文學(xué)傳媒大獎(jiǎng)”看傳媒對新世紀(jì)文學(xué)的影響[D];河南師范大學(xué);2011年

3 孟祥春;當(dāng)代語境下大眾文學(xué)的書寫與消費(fèi)[D];西北大學(xué);2010年

本文編號：2059597