本文選題：電子傳媒 + 泛審美��； 參考：《廣西民族大學(xué)》2007年碩士論文

【摘要】： 20世紀(jì)以來,電子傳媒成為了人們獲取信息、思考問題和了解世界的主要通道。它將原本為藝術(shù)所鄙夷的日常生活納入了審美視野,將昔日的“下里巴人”置于高雅的審美殿堂,使日常生活成了審美活動(dòng)的對象和內(nèi)容;同時(shí),市場經(jīng)濟(jì)的高度發(fā)展,使得藝術(shù)品褪掉了“陽春白雪”的外衣,日漸融入人們的日常生活,審美活動(dòng)從崇高的藝術(shù)殿堂向世俗的廳堂降落。于是日常生活向?qū)徝阑顒?dòng)的提升和審美活動(dòng)向日常生活的降落促成了審美和生活的同一。這就是我們所說的電子傳媒時(shí)代的泛審美現(xiàn)象。 審美與日常生活走向了同一,其外在原因是大眾文化的興起、市場經(jīng)濟(jì)和電子科技的發(fā)展,內(nèi)在原因則是由于藝術(shù)美向日常生活的消融和生活美向?qū)徝阑顒?dòng)的回歸。泛審美以其功利性、科技性和娛樂性推動(dòng)審美活動(dòng)由超功利性到功利性,由獨(dú)特性到機(jī)械復(fù)制的程式化,從而實(shí)現(xiàn)了審美活動(dòng)的商品化、大眾化和直觀化,展示了與傳統(tǒng)審美活動(dòng)的巨大差異。泛審美突破了傳統(tǒng)審美活動(dòng)的局限,給當(dāng)代審美活動(dòng)造成了巨大的影響。泛審美在使人們的審美活動(dòng)無處不在時(shí),也逐漸導(dǎo)致了人們對美的漠視和對審美的失望;在使人們?nèi)找骊P(guān)注身邊的美時(shí),也逐漸導(dǎo)致了人們的美感被物欲所吞噬。 審美活動(dòng)來源于現(xiàn)實(shí)生活,而泛審美關(guān)注的則是審美如何復(fù)歸于生活,泛審美的這一出發(fā)點(diǎn),是審視審美與生活問題的關(guān)鍵。審美只有與生活同一,才能得到長久的發(fā)展,才能更好地滿足人們的精神需求,從而實(shí)現(xiàn)人們在愉悅中享受人生的目的。
[Abstract]:Since the 20th century, electronic media has become the main channel for people to obtain information, think problems and understand the world. It brings into the aesthetic field of vision the daily life which was originally despised by art, and puts the "Lower Riba people" in the elegant aesthetic palace, making daily life the object and content of aesthetic activities; at the same time, the highly developed market economy, The work of art has faded its coat of "spring and snow" and gradually integrated into people's daily life, and aesthetic activities have fallen from the noble art hall to the secular hall. The promotion from daily life to aesthetic activity and the descent from aesthetic activity to daily life contribute to the unity of aesthetics and life. This is what we call the electronic media era of the pan-aesthetic phenomenon. The external reasons are the rise of popular culture, the development of market economy and electronic science and technology, and the intrinsic reason is the disappearance of art beauty to daily life and the return of life beauty to aesthetic activity. With its utility, science and technology and entertainment, pan-aesthetics promotes aesthetic activities from super-utilitarian to utilitarian, from uniqueness to mechanical reproduction, thus realizing commercialization, popularization and intuitionism of aesthetic activities. Shows the huge difference with the traditional esthetic activity. Pan-aesthetics breaks through the limitation of traditional aesthetic activities and has a great influence on contemporary aesthetic activities. Pan-aesthetic activities make people's aesthetic activities everywhere, but also gradually lead to people's disregard for beauty and aesthetic disappointment; in making people pay more and more attention to the beauty around, it also gradually led to people's sense of beauty is consumed by material desire. Aesthetic activities come from real life, and pan-aesthetic attention is how to restore aesthetics to life. The starting point of pan-aesthetic is the key to examine aesthetic and life problems. Only when aesthetics is the same as life, can it be developed for a long time, and it can better meet the spiritual needs of people and realize the purpose of enjoying life in pleasure.
【學(xué)位授予單位】：廣西民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：G206;I01

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本文編號：2020919