本文選題：戈德曼 + 結(jié)構(gòu)　； 參考：《山東師范大學(xué)》2006年碩士論文

【摘要】：戈德曼是法國(guó)著名的文學(xué)社會(huì)學(xué)文藝?yán)碚摷?他的文學(xué)理論和批評(píng)思想是西方馬克思主義文學(xué)理論發(fā)展過程中一個(gè)非常重要的環(huán)節(jié),他的思想以獨(dú)特的大膽創(chuàng)新性而著稱,在當(dāng)今的文學(xué)理論研究界越來越受到人們的重視。但是在目前的國(guó)內(nèi)學(xué)術(shù)界,戈德曼卻被嚴(yán)重忽略了,有關(guān)他的文學(xué)思想的專門論文還比較少,當(dāng)今國(guó)內(nèi)許多西方文論教材甚至根本沒有提及他,而且現(xiàn)有的研究成果對(duì)其思想的理解和表述還比較混亂和粗淺,因此對(duì)其文學(xué)思想作進(jìn)一步的研究還是非常必要的。 戈德曼的文學(xué)批評(píng)思想屬于一種社會(huì)批評(píng)的研究方法,但是其又大大不同于傳統(tǒng)的文學(xué)社會(huì)學(xué),而是加以了獨(dú)特的改造。他以“結(jié)構(gòu)”作為其分析文學(xué)問題的落腳點(diǎn)和切入點(diǎn),把文學(xué)作品放在一個(gè)宏大的社會(huì)功能框架中,通過分析結(jié)構(gòu)來進(jìn)行對(duì)文學(xué)諸問題的考察。本文準(zhǔn)備以“結(jié)構(gòu)”作為切入點(diǎn)對(duì)戈德曼的文學(xué)觀進(jìn)行系統(tǒng)而全面地論述。全文共包括以下幾個(gè)部分: 在引言中,闡述了本選題的緣由、創(chuàng)新價(jià)值以及本文的總體研究思路,旨在對(duì)所研究的問題進(jìn)行總體概括和明確。 第一章,整體歸納概括了戈德曼結(jié)構(gòu)文學(xué)觀的基本內(nèi)容。具體來說共包括三方面的內(nèi)容:首先是對(duì)戈德曼理論中的“結(jié)構(gòu)”進(jìn)行了全面的探討,包括結(jié)構(gòu)在戈德曼理論體系中的重要性、理論內(nèi)涵、生成過程和功能意義,還包括分析和把握它的認(rèn)識(shí)過程以及有關(guān)創(chuàng)造主體的問題。其次是概括和分析了戈德曼關(guān)于作品的內(nèi)容各要素組成的結(jié)構(gòu)與社會(huì)集團(tuán)精神結(jié)構(gòu)同構(gòu)對(duì)應(yīng)的理論,這種同構(gòu)屬于共時(shí)性層面。最后一部分是對(duì)戈德曼結(jié)構(gòu)文學(xué)觀另一重要思想的分析:文學(xué)作品作為形式的結(jié)構(gòu)在歷時(shí)性層面上與社會(huì)現(xiàn)實(shí)有著同步對(duì)應(yīng)關(guān)系。 在第二章中,對(duì)戈德曼結(jié)構(gòu)文學(xué)觀的理論淵源和產(chǎn)生背景進(jìn)行了系統(tǒng)的梳理和把握,旨在為分析和認(rèn)識(shí)其批評(píng)理論奠定扎實(shí)的基礎(chǔ)。他的理論深受著社會(huì)批評(píng)的歷史傳統(tǒng)的影響,與馬克思文學(xué)思想是一脈相承的,又在許多方面借鑒了早期盧卡契和皮亞杰的發(fā)生學(xué)結(jié)構(gòu)論。同時(shí),戈德曼的結(jié)構(gòu)文學(xué)觀還與當(dāng)時(shí)所處的社會(huì)文化背景有關(guān),具體是指當(dāng)時(shí)文學(xué)研究“向內(nèi)轉(zhuǎn)”理論研究趨勢(shì)的日益盛行,戈德曼的
[Abstract]:Goldman is a famous literary sociological literary theorist in France. His literary theory and critical thought is a very important link in the development of Western Marxist literary theory. Nowadays, people pay more and more attention to the study of literary theory. However, in the current domestic academic circles, Goldman has been seriously neglected, his literary thoughts about the special papers are still relatively few, many of the current domestic textbooks of Western literary theory did not even mention him at all. Moreover, the understanding and expression of his thoughts are still confused and superficial, so it is necessary to further study his literary thought. The literary criticism thought of Goldman belongs to a kind of research method of social criticism, but it is different from the traditional literary sociology, but it has been specially reformed. He took "structure" as his foothold and breakthrough point of analyzing literary problems, put literary works in a grand social functional framework, and examined the problems of literature through analyzing structure. This paper intends to systematically and comprehensively discuss Goldman's literary view from the point of view of structure. The full text includes the following parts: in the introduction, it explains the reason of this topic, the value of innovation and the overall research ideas of this paper. The purpose of this paper is to generalize and clarify the problems studied. In the first chapter, the author summarizes the basic contents of Goldman's theory of structural literature. Specifically, it includes three aspects: firstly, it makes a comprehensive discussion on the "structure" in Goldman's theory, including the importance of structure in the system of Goldman's theory, the theoretical connotation, the process of generation and the significance of function. It also includes analyzing and mastering its cognitive process and the problem of creation subject. Secondly, the author generalizes and analyzes Goldman's theory that the structure of the elements of his works corresponds to the spiritual structure of the social group, which belongs to the synchronic level. The last part is an analysis of another important thought of Goldman's structural literary view: the structure of literary works as a form has a corresponding relationship with social reality on the diachronic level. In the second chapter, the theoretical origin and background of Goldman's theory of structural literature are systematically combed and grasped in order to lay a solid foundation for the analysis and understanding of his critical theory. His theory, deeply influenced by the historical tradition of social criticism, is closely related to Marx's literary thought, and draws lessons from the early Lukacs and Piaget's genealogical structure theory in many aspects. At the same time, Goldman's view of structural literature is also related to the social and cultural background at that time, specifically referring to the growing trend of the theoretical research of "turning inward" in literary studies at that time.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：I0

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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本文編號(hào)：2017338