本文選題：可及 + 藝術��； 參考：《中國圖書評論》2013年01期

【摘要】：正藝術品的生產似乎從來都不會是一種單維的審美訴求和精神觀照。特別是在當代藝術領域,經濟資本、媒體宣傳、藝術機構、展覽包裝、藝術教育和文化政策等要素纏結在一起,正在發(fā)揮著前所未有的巨大作用。綜觀中國藝術市場的發(fā)展,從上個世紀90年代起,從境外資本對這個領域的大規(guī)模進駐到本土體制化和收藏機制的形成,經歷了
[Abstract]:The production of positive art never seems to be a single dimension of aesthetic appeal and spiritual view, especially in the field of contemporary art, economic capital, media publicity, art institutions, exhibition packaging, art education and cultural policies, which are playing an unprecedented role in the development of the Chinese art market. From the 90s of last century, from the large scale of foreign capital's entry into this field to the formation and collection mechanism of the soil, it has gone through experience.
【作者單位】： 北京大學藝術學院;
【分類號】：J124
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本文編號：1974393